Museum of Modern Art

Edification value  
Entertainment value  
Should you go?  
Time spent 221 minutes (3 hours, 41 minutes)
Best thing I saw or learned It’s nigh impossible to pick a “best” at MoMA. But I feel a special love for Mark Rothko’s melancholy, soothing No. 16 (Red, Brown, and Black) from 1958. 

Museum of Modern Art, New York

UPDATE APRIL 2021: This review is obsolete, as it was written before MoMA opened its most recent expansion (which I talk about a bit in the review below). I will hopefully publish an updated review…soon. A lot of my take from a few years ago is still pertinent.

The walls at the Museum of Modern Art don’t meet the floors. It’s a minuscule  detail. I feel certain many visitors don’t even consciously notice it. I’m not sure why the architect did that. But think about the words that describe the collection:  “groundbreaking,” “earth-shattering.”  I like to think they decided MoMA’s treasures are too wonderful to touch something as mundane as a floor. So the art, and the walls on which the art is hung, don’t.

More mundanely, I also wonder whether (and how) they dust all those wall-floor cracks. Continue reading “Museum of Modern Art”

Children’s Museum of the Arts

Edification value  3/5
Entertainment value  4/5
Should you go?  3/5
Time spent 140 minutes
Best thing I saw or learned “Home Decoration Confusion,” by Ellen Harvey.  A spare modernist dollhouse crammed with fancy wallpapers and chandeliers and such, from the ornamentation exhibit. 

Children's Museum of the Arts, Manhattan

Children's Museum of the Arts, ManhattanThe Children’s Museum of the Arts is my first review of a New York children’s museum. While I like to think I’m unusually immature for my age, I feel I should have an actual member of the intended audience help calibrate my impressions of these places. And so I enlisted the aid of an eight-year-old friend, whom I’ll call “Zed,” and his mom, who kindly visited with me.  Thanks!

Located near Tribeca, the Children’s Museum of the Arts consists of a set of activity spaces arranged around a central open area. Kids have a wide choice of art projects, some of which require signing up in advance, others you can just walk in and do. On the day we visited the art options included:

  • Making miniature clay figures
  • Fun with sound and audio recording
  • Bending wire into words or shapes and then making prints from it
  • Painting wintry scenes
  • Creating stop-motion animation

Helpers for all the activities we did were terrific — patient and engaged and full of fun and helpful ideas when needed.

Children's Museum of the Arts, Manhattan
The Popular Clay Bar

In addition, there’s a specialized studio just for very young folks, where kids and their caregivers can collaborate.

The museum also has a neat mezzanine space with big windows onto the lobby and facing outside, filled with giant blue foam blocks of all shapes and sizes, where kids can build and destroy and generally rampage to their hearts’ content. I didn’t get the purpose of that at first, except to ensure the mixing of kid germs as much as possible.

Children's Museum of the Arts, Manhattan
Blocky Chaos

However, Zed observed that he found it valuable. After concentrating on making a lengthy stop-motion video, he needed a place to blow off some steam before he was ready to engage in something else that required focus. So, good job on the museum to have thought of that. However, Zed also pointed out that he thought some kids would spend their whole visit just playing in there, not doing any of the art stuff.

Children's Museum of the Arts, Manhattan
Space for a Time Out

And finally there are some private rooms where you can book art parties, as well as a “quiet room” with a few picture books, presumably for time outs.

Ornaments (Not the Christmas Kind)

Ornament is Crime, Children's Museum of the ArtsThis place is primarily an activity center; I’m almost a little skeptical of calling it a “museum.” But it does have some art installations. Indeed, the open connector space between the various activity studios housed an exhibit on called “Ornamentation and Other Refrigerator Magnets” by Ellen Harvey. I found it quite clever, although I think it’s a little more to a grown-up’s taste than a kid’s. For example, there’s a witty display of books riffing on modernist architect Adolph Loos’s lecture on “ornament and crime,” perched on the fanciest shelves imaginable.

Children's Museum of the Arts, ManhattanI’d wager that most kids who visit this place don’t give the art a look at all.  But engaging a kid in a conversation about stuff that’s fancy versus stripped down, and why some things are very decorated versus not so much, probably works well. It’s straightforward, and most kids will have some experience of that contrast, and possibly even an opinion about it.

Moreover, I respect the museum for (a) placing the wall texts down at kid-eye-level, (b) not oversimplifying the descriptions too much while (c) including a mini-glossary with each wall caption. Terms explained on various wall texts included “dictator,” “chic,” “hermitage,” “naturalistic,” and “stylized.” It was really well done, and again demonstrates the Children’s Museum curators considering their audience.

Another art installation featured a hallway full of flowers and plants and other organic forms all cut out of denim by British artist Ian Berry. I’m not sure I get it; why denim? But it was rather pretty just the same.

Children's Museum of the Arts, Manhattan
Denim Art

A Zed’s Eye View of the Children’s Museum of the Arts

Zed and I discussed his impression of the museum afterwards. He really liked it, and said he both learned stuff (like how tedious it is to make a stop-motion animation) and had fun (particularly in the room of soft bricks).

Zed made several things, including a pastel drawing of a “spider-mobile.” I would’ve thought that as a New Yorker Spider-Man would just take a Lyft or Via where he needs to go, or the subway. But Zed disagrees.  He singled out the art studio as his favorite part, because he liked having a broad choice of materials to work with, and the freedom to create what he wanted to create.

Spider Mobile
“Zed,” “Spider-Mobile Worldwide,” 2018, pastel on paper

His one caveat in terms of recommending the place was that he thought it best for “friends who don’t act like they have ADHD.” An interesting (and deliberate) choice of phrasing, but it conveys his point, and I agree. The CMA demands some focus and concentration from its young visitors, so those who are challenged by that may not find it fun. For most kids, though, it’s a good place to spend an afternoon experimenting with different artistic types and techniques.

I made about 5 seconds of this video (the bit starting at 0:35):

https://vimeo.com/252072940

One final note: the Children’s Museum of the Arts lacks a cafe — be sure to bring some juice boxes or a snack or something. Alternately, if your kid, like Zed, is both sufficiently mature and obsessed with cars, there’s a very nearby Joe Coffee located inside the Cadillac showroom. So kids (or grown-ups, even) can ogle some extremely fancy cars while enjoying a post-museum snack.

Children's Museum of the Arts, Manhattan

For Reference:

Address 103 Charlton Street, Manhattan
Website cmany.org
Cost  General Admission:  $12
Other Relevant Links

 

Neue Galerie

Edification value  4/5
Entertainment value  4/5
Should you go?  4/5
Time spent 101 minutes
Best thing I saw or learned Café Sabarsky comes as close as possible to a trip to Vienna while remaining in New York City.  If the whole café seems too broad for a “best thing,” I will call out the cake display specifically.

Cafe Sabarsky at the Neue Galerie, New York

Should I recommend a museum just because I love its café?  Sure, why not.

Cafe Sabarsky, Neue Galerie, New York
Sacher Torte and Wiener Mélange

And Café Sabarsky is wonderful, unique, and an important part of the overall experience of a museum whose mission is to transport visitors to a specific time and place, in this case Austria-Hungary at the dawn of the 20th century. Continue reading “Neue Galerie”

Pratt Manhattan Gallery

Edification value  2/5
Entertainment value  3/5
Should you go?  3/5
Time spent 21 minutes
Best thing I saw or learned Kathryn Fleming’s Ursa Hibernation Station, an idea for a new home appliance:  a portable, pram-sized bear hibernator.  So that you can watch (and possibly envy!) your genetically modified mini bear as it sleeps the winter away.

Pratt Institute, Manhattan Campus

Pratt Institute, Manhattan Campus

The Pratt Institute dates to 1887, when it was founded to give an opportunity for an advanced education to anyone.  Today it is mainly known for programs in architecture, art, and design, so it’s fitting that Pratt’s Manhattan building, a handsome edifice on 14th Street, includes an art gallery on its second floor.

The Pratt Manhattan Gallery is a nice space, long and somewhat narrow, with high ceilings and large windows overlooking 14th Street.  Kind of the usual for a New York art space:  an older space repurposed with white walls, wood floors, periodic columns, exposed duct work and ceiling pipes lending a splash of color.

Pratt Manhattan Gallery

What’s on View

The exhibition when I visited was titled “See Yourself E(x)ist.”  I have seen a lot of contemporary, academic art shows during this project.  I’ve developed a theory that all such exhibits must be about one of four things:

  1. Migration and refugees
  2. Multiculturalism versus assimilation
  3. Gender and identity
  4. Our declining environment

Or I guess, further simplifying, there is only one topic for a contemporary, academic art show:

  1. Riling up conservatives.

This was a Type 4 exhibition, viewed through the lens of technology.  While its theme was different, “The Roaming Eye” at the Shirley Fiterman Art Center featured a number of works that would’ve fit right in here.

I liked it, though I remain somewhat mystified by the typography of the exhibition title.  Anything (x)ist makes me think of the men’s underwear brand, which I’m sure was the curator did not intend.  At least, I think.

Pratt Manhattan Gallery
Jaime Pitarch, “Chernobyl,” 2009

The exhibit offered a good diversity of pieces, including some video and digital art and a rather amusing interactive work that greatly amplified the sound that sand grains make falling in an egg timer.  I like shows that can unite artists in a broad array of media round a common topic.

I also like shows that have at least a little wit or humor in the mix; art that takes itself too seriously tends to lose me.  I enjoyed See Yourself E(x)ist on that front, too.  Jaime Pitarch’s Chernobyl, a mutant matrioshka doll, made me smile.

I felt similarly about a set of pieces by Fantich & Young called Apex Predator | Darwinian Voodoo, that re-envisioned common objects (men’s shoes, a basketball) studded with human teeth.  Eek, creepy and effective. (Lest you worry, the teeth came from dentures.)

Pratt Institute, Manhattan Campus
Fantich & Young, “Alpha Oxfords,” 2010

Should You Go to the Pratt Manhattan Gallery?

Pratt Manhattan GalleryIt’s always hard to judge a museum like the Pratt Manhattan Gallery based on a single show. But it’s conveniently located, and a nice space. I’m pretty comfortable asserting that if you happen to be around West 14th Street and you feel like seeing some contemporary, academic art, whatever’s on view will hew to one of the four themes above, but it’ll likely be interesting and worth the time as well.

For Reference:

Address 144 West 14th Street, 2nd floor, Manhattan
Website pratt.edu
Cost  General Admission:  Free

 

Judd Foundation

 

Edification value  4/5
Entertainment value  4/5
Should you go?  3/5
Time spent 104 minutes
Best thing I saw or learned Donald Judd’s dining table looks exactly like Donald Judd designed a dining table.

Utterly simple wood with chairs that seamlessly, create a box when its 14 chairs were pushed in. It reminded me of one of those wooden cube puzzles where you remove one piece and the whole thing falls apart— symmetric perfection broken.

And it is the exact size of the windows in the huge, open, “eating” level of the building.

In 1968 the artist Donald Judd bought a building in then-dilapidated SoHo. Five stories high, the building was used for light industry — small factories that my guide did not call “sweatshops” but that probably were.  Indeed, to this day some of the floors retain holes that show where an apparel manufacturer bolted down sewing machines.

Donald Judd Foundation

Judd, his wife Julie Finch, and their newborn son Flavin moved into the place, and Judd proceeded to remake the four upstairs floors to his own design. Judd changed floors and ceilings, installed fittings and fixtures, and designed both art and furniture specifically for the place. He also installed art from his friends and fellow SoHo Bohemians. He made the place their home, but he also made their home a work of art. Continue reading “Judd Foundation”

Cathedral Church of St. John the Divine

Edification value  
Entertainment value  4/5
Should you go?  
Time spent 58 minutes (most recently)
Best thing I saw or learned A vertical tour brings you up close to the engineering of an old-school cathedral.  The building is buttressed to support the weight of an enormous tower that was never built.  

Cathedral Church of St. John the Divine
Above the ceiling…

To balance that buttressing, there’s literally tons of lead above the ceiling vaults, pushing down and out as the buttresses push in.

Cathedral Church of St. John the Divine

Although I have rarely attended a service there, the Cathedral Church of St. John the Divine has figured large in my life in New York City.

Shortly after I arrived as a freshman at Columbia, I attended an event at the Cathedral.  The Dalai Lama spoke, as did the daughter of Desmond Tutu.  I vividly remember it was right around Rosh Hashanah, and a group of monks offered a chant in honor of the High Holy Days. Tibetan Buddhist monks singing in honor of the Jewish new year in the largest Christian cathedral in the world.  To this day, that stands as one of my quintessential New York experiences. Continue reading “Cathedral Church of St. John the Divine”

Dia: Chelsea

Edification value  3/5
Entertainment value  3/5
Should you go?  4/5
Time spent 46 minutes
Best thing I saw or learned Art made out of ginormous freaking laser beams!

Dia: Chelsea
Rita McBride, “Particulates,” 2017, lasers, site-specific particulates, extraterrestrial dust, and water

The Dia Foundation is a powerhouse in the world of contemporary art.  It got its start in 1974 to help artists “achieve visionary projects that might not otherwise be realized because of scale or scope.” (Source: Dia’s website.)

New Yorkers probably best know Dia in the guise of Dia: Beacon, an important contemporary art museum located in Beacon, NY, a bit over an hour by train north of the city.  The Dia Foundation also manages the Walter De Maria’s New York Earth Room in SOHO.  And several other important art places and spaces around the world (most notably two key environmental art pieces out west: Smithson’s Spiral Jetty and De Maria’s Lightning Field).

Dia’s offices are in Chelsea, and it has two art spaces there, too. Continue reading “Dia: Chelsea”

New Museum

 

Edification value  3/5
Entertainment value  4/5
Should you go?  3/5
Time spent 96 minutes
Best thing I saw or learned Kosovan artist Petrit Halilaj’s “Ru,” a room-sized installation of reproductions of Neolithic artifacts from Kosovo mounted on metal bird legs and perched in habitats of sticks and water, installed in a large white room.  

New Museum
Petrit Halilaj, “Ru” (detail)

It’s odd and obsessive and a little creepy and cute at the same time — like a Miyazaki movie come to life.

New Museum
Petrit Halilaj, “Ru” (detail)

CURRENTLY CLOSED. As of June, 2025, the New Museum remains closed as it completes an expansion to its building on The Bowery. Reportedly the NEW New Museum will open in the Fall of 2025.

New MuseumThe New Museum, devoted to cutting-edge contemporary art, turned forty years old this year.  I know because one of the exhibits on currently celebrates its history, with a timeline and select ephemera from past shows.

New Museum

Having turned 40 myself some years ago, I think it starts to feel a little ironic calling oneself “New” at that age.

Marcia Tucker, a curator at the Whitney in the 1970s, felt that new and emerging artists didn’t get a fair shake at “established” museums (this despite the Whitney Biennial).  She therefore set out to create an institution specifically for, well, the new.  And thus was yet another art museum born.

The New Museum moved into its current building on the Bowery in 2007, making that aspect of it still actually pretty new.  More on the building in a moment. Continue reading “New Museum”

Hebrew Union College – Jewish Institute of Religion Museum

Edification value  3/5
Entertainment value  3/5
Should you go?  2/5
Time spent 28 minutes
Best thing I saw or learned Chris Jones’s surreal and fascinating, 3D-ish (2.5D?) depiction of an empty house of many rooms, collaged from book and magazine pictures.  

Hebrew Union College Museum
Chris Jones, “After They Had Left,” 2016, Mixed media collage

Hebrew Union College MuseumAccording to the guard at the front desk, in order to visit the museum at Hebrew Union College and the Jewish Institute of Religion, you must do four things.

  1. Hebrew Union College Museum
    Visitor Pass

    Present a photo ID, which they will hold onto for the duration of your visit.

  2. Submit any bags for an inspection.
  3. Agree to be wanded down with a handheld metal detector.
  4. Wear an orange “Visitor” badge around your neck or other suitably prominently visible place for the duration of your visit.

Continue reading “Hebrew Union College – Jewish Institute of Religion Museum”

International Center of Photography

Edification value  3/5
Entertainment value  3/5
Should you go?  3/5
Time spent 71 minutes
Best thing I saw or learned The lobby boasts a large interactive screen that enables visitors to browse through the ICP’s digital image collection, sorted by timeline or via a large number of tags/keywords.  It’s fun to see what comes up, and how images connect across times and places. 

International Center of Photography

UPDATE APRIL 2021: This review is obsolete, as the ICP moved into a new home on Essex Street just before the pandemic. I haven’t visited it yet, though it is high on my museum to-do list.

International Center of PhotographyThe International Center of Photography is one of two photo-specialist institutions in New York (the other being the Aperture Foundation).  It has a venerable history, founded in 1974 by the photographer Cornell Capa, the brother of even greater photographer Robert Capa.  It’s currently located on the Bowery, very close to the New Museum.

In addition to its museum space, the Center offers classes, a full-time school of photography, and events.

Ironically, the ICP does not allow photography inside its galleries.  I’m not certain whether that policy is general or just for the current show.  Regardless, I have a few shots of the lobby area and cafe, but that’s it.

The ICP Galleries

International Center of Photography features two moderately sized gallery spaces, as well as a small video screening area. Visitors begin in a bland rectangular space on the ground floor, then go downstairs to a similar space directly below.  I don’t have a lot to say about them — they are windowless and fairly generic, painted white when I visited. Continue reading “International Center of Photography”