Clemente Center

Edification value 2/5 
Entertainment value  2/5
Should you go?  2/5
Time spent 22 minutes
Best thing I saw or learned Pat Lay’s cheery-creepy cyborg sculptures, particularly the punk-borg “Transhuman Personae #12”

Clemente Center

I’ve never been to an art gallery in 19th century school building that also housed an Escape the Room game before.  But there is a first time for everything, particularly when you’re determined to go to every museum in New York City.

Clemente Center

The Clemente Center occupies P.S. 160, a public school building dating to 1897, built in the grand institutional gothic style, all pointed arches and stone- and iron-Clemente Centerwork.  Abandoned as a school due to a fire in the pyromaniacal 1970s, the Clemente Soto Vélez Center was founded in 1993.  It operates a number of endeavors in the building, including four theaters, artist studios, rehearsal spaces, two art galleries, and the aforementioned Escape the Room game.

The vestibule features a plaque from its founding as P.S. 160, with the names of a slew of great and good late 19th C. Dead White Males who contributed.  Times have changed.  Continue reading “Clemente Center”

Westbeth Gallery

Edification value  3/5
Entertainment value  3/5
Should you go?  4/5
Time spent 51 minutes
Best thing I saw or learned A set of four large, multipanel works by Karina Cavat, who curated the show, and who resides in a Westbeth apartment.  And with whom I had a really interesting conversation.  

Westbeth Gallery
Karina Cavat, “Cook”

They’re all dense views of burgeoning nature gone haywire.  If I had to choose one, I’d pick “Cook,” an homage to a Weber grill.

On the far, far, western borders of the West Village a huge building complex occupies the entire block from Bank to Bethune and Washington to West Streets.  Today this is Westbeth Artists’ Housing, founded in 1970 as a place for working artists to find affordable housing and studio space.  To this day, artists live and work, show and teach there.  Westbeth also provides a home base to the New School’s drama department and the Martha Graham Dance Studio, among other cultural institutions.

Westbeth Artists Housing

The complex also houses a gallery space, showing work from resident and nonresident artists alike. However, Westbeth’s arts incarnation belies an older and even more intriguing history. Continue reading “Westbeth Gallery”

Center for Book Arts

Edification value  2/5
Entertainment value  3/5
Should you go?  3/5
Time spent 34 minutes
Best thing I saw or learned A book turned into a fantastically eroded landscape by Guy Laramée. Google that dude, his work is amazing.

Center for Book Arts, Anthropocene Show, Manhattan
Guy Laramée, “Archaeology,” 2010, altered book

The Center for Book Arts is one of those quixotic organizations whose unlikely existence helps make life in New York worthwhile.  In this digital age, the idea that an organization will teach you how to letterpress print, how to bind a book, how to marbleize paper, seems hopelessly, charmingly, vitally anachronistic.  In addition to classes, the Center for Book Arts also offers memberships; join and you can go and hand-set lead type to your heart’s content.  Just don’t lick your fingers while you do it.

Continue reading “Center for Book Arts”

Living Museum

Edification value  3/5
Entertainment value  4/5
Should you go?  
Time spent 62 minutes
Best thing I saw or learned John Tursi’s prolific, colorful, abstractions, en masse, amazed me.

The Living Museum, Creedmoor Psychiatric Hospital, Queens
John Tursi, Abstract Paintings

A friend accompanied me to the Living Museum, and when Tursi asked her opinion of them, she replied unthinkingly, “This is crazy.”

I don’t believe in psychic powers. If they existed, we would have proved it by now.  And yet, I can’t deny that some places have an inexplicable aura about them — a feeling indelibly embedded in the stones and bricks.   Ellis Island, full of hopes and dreams from long ago.  The library at Columbia, resonant with over a century of stress and study.  

I mention this to set up my initial reaction to visiting the campus of Creedmoor Psychiatric Center.  Even just driving by Creedmoor’s forbidding deco-institutional buildings along the Grand Central Parkway, it commands attention.  You may not know what it is or what goes on there, but it has a hulking presence.  For lack of a better word, it’s creepy.  It comes as no surprise that it is a mental hospital.

The Living Museum, Creedmoor Psychiatric Hospital, QueensCreedmoor dates back to 1912, when an abandoned National Guard barracks was used to house a few dozen patients.  At its peak in 1959, the sprawling facility housed an inconceivable 7,000 patients.  Since then, the inpatient population has fallen, leading it to sell the farm (literally), and also to abandon some buildings, adding to the creepiness of the campus today.  And at Creedmoor’s heart, in the ginormous former inmate cafeteria, lies the Living Museum.

Continue reading “Living Museum”

Williamsburg Art and Historical Center

Edification value  2/5
Entertainment value  3/5
Should you go?  2/5
Time spent 32 minutes
Best thing I saw or learned Terrance Lindall’s “Carried Away by Night” typifies his fantastical, surreal, Bosch-ish work.Williamsburg Art and Historical Center, Brooklyn

Close to the Brooklyn side of the Williamsburg Bridge, though somewhat far from the trendier parts of Williamsburg, stands the impressive, imposing Kings County Savings Bank building, which dates to 1867.Williamsburg Art and Historical Center, BrooklynSince 1996, the building, in a charmingly shabby state today, has served as the home of the Williamsburg Art and Historical Center (or “WAH Center”), a moderately sized gallery space on its second floor. Continue reading “Williamsburg Art and Historical Center”

Abrons Arts Center

Edification value  3/5
Entertainment value 2/5
Should you go?  2/5
Time spent 28 minutes
Best thing I saw or learned Abrons Arts Center, Manhattan

Abrons Arts Center, ManhattanThe best thing was a juxtaposition of Jordan Nassar’s white-and-blue embroidered designs and Joseph Shetler’s complex abstractions of blue pencil. I liked each, and they proved great complements to one another.

Lillian Wald founded the Henry Street Settlement in 1893 to assist, educate, and care for the poor of the Lower East Side of Manhattan. During its 125 years, it’s been responsible for many civic-minded “firsts” in New York City.  These include the first nurse in a New York public school; several early playgrounds; summer camps; the visiting nurse service; low-income mental health services; and programs surrounding the arts.

Henry Street Settlement’s Arts for Living Center, founded in 1975, evolved into today’s Abrons Arts Center. Although the Abrons Center is primarily known for theater and performing arts, its rather unpleasant, semi-brutalist brick building also houses space for temporary art exhibitions.

Abrons Arts Center, Manhattan

Continue reading “Abrons Arts Center”

Museum of Modern Art

Edification value  
Entertainment value  
Should you go?  
Time spent 221 minutes (3 hours, 41 minutes)
Best thing I saw or learned It’s nigh impossible to pick a “best” at MoMA. But I feel a special love for Mark Rothko’s melancholy, soothing No. 16 (Red, Brown, and Black) from 1958. 

Museum of Modern Art, New York

UPDATE APRIL 2021: This review is obsolete, as it was written before MoMA opened its most recent expansion (which I talk about a bit in the review below). I will hopefully publish an updated review…soon. A lot of my take from a few years ago is still pertinent.

The walls at the Museum of Modern Art don’t meet the floors. It’s a minuscule  detail. I feel certain many visitors don’t even consciously notice it. I’m not sure why the architect did that. But think about the words that describe the collection:  “groundbreaking,” “earth-shattering.”  I like to think they decided MoMA’s treasures are too wonderful to touch something as mundane as a floor. So the art, and the walls on which the art is hung, don’t.

More mundanely, I also wonder whether (and how) they dust all those wall-floor cracks. Continue reading “Museum of Modern Art”

Children’s Museum of the Arts

Edification value  3/5
Entertainment value  4/5
Should you go?  3/5
Time spent 140 minutes
Best thing I saw or learned “Home Decoration Confusion,” by Ellen Harvey.  A spare modernist dollhouse crammed with fancy wallpapers and chandeliers and such, from the ornamentation exhibit. 

Children's Museum of the Arts, Manhattan

Children's Museum of the Arts, ManhattanThe Children’s Museum of the Arts is my first review of a New York children’s museum. While I like to think I’m unusually immature for my age, I feel I should have an actual member of the intended audience help calibrate my impressions of these places. And so I enlisted the aid of an eight-year-old friend, whom I’ll call “Zed,” and his mom, who kindly visited with me.  Thanks!

Located near Tribeca, the Children’s Museum of the Arts consists of a set of activity spaces arranged around a central open area. Kids have a wide choice of art projects, some of which require signing up in advance, others you can just walk in and do. On the day we visited the art options included:

  • Making miniature clay figures
  • Fun with sound and audio recording
  • Bending wire into words or shapes and then making prints from it
  • Painting wintry scenes
  • Creating stop-motion animation

Helpers for all the activities we did were terrific — patient and engaged and full of fun and helpful ideas when needed.

Children's Museum of the Arts, Manhattan
The Popular Clay Bar

In addition, there’s a specialized studio just for very young folks, where kids and their caregivers can collaborate.

The museum also has a neat mezzanine space with big windows onto the lobby and facing outside, filled with giant blue foam blocks of all shapes and sizes, where kids can build and destroy and generally rampage to their hearts’ content. I didn’t get the purpose of that at first, except to ensure the mixing of kid germs as much as possible.

Children's Museum of the Arts, Manhattan
Blocky Chaos

However, Zed observed that he found it valuable. After concentrating on making a lengthy stop-motion video, he needed a place to blow off some steam before he was ready to engage in something else that required focus. So, good job on the museum to have thought of that. However, Zed also pointed out that he thought some kids would spend their whole visit just playing in there, not doing any of the art stuff.

Children's Museum of the Arts, Manhattan
Space for a Time Out

And finally there are some private rooms where you can book art parties, as well as a “quiet room” with a few picture books, presumably for time outs.

Ornaments (Not the Christmas Kind)

Ornament is Crime, Children's Museum of the ArtsThis place is primarily an activity center; I’m almost a little skeptical of calling it a “museum.” But it does have some art installations. Indeed, the open connector space between the various activity studios housed an exhibit on called “Ornamentation and Other Refrigerator Magnets” by Ellen Harvey. I found it quite clever, although I think it’s a little more to a grown-up’s taste than a kid’s. For example, there’s a witty display of books riffing on modernist architect Adolph Loos’s lecture on “ornament and crime,” perched on the fanciest shelves imaginable.

Children's Museum of the Arts, ManhattanI’d wager that most kids who visit this place don’t give the art a look at all.  But engaging a kid in a conversation about stuff that’s fancy versus stripped down, and why some things are very decorated versus not so much, probably works well. It’s straightforward, and most kids will have some experience of that contrast, and possibly even an opinion about it.

Moreover, I respect the museum for (a) placing the wall texts down at kid-eye-level, (b) not oversimplifying the descriptions too much while (c) including a mini-glossary with each wall caption. Terms explained on various wall texts included “dictator,” “chic,” “hermitage,” “naturalistic,” and “stylized.” It was really well done, and again demonstrates the Children’s Museum curators considering their audience.

Another art installation featured a hallway full of flowers and plants and other organic forms all cut out of denim by British artist Ian Berry. I’m not sure I get it; why denim? But it was rather pretty just the same.

Children's Museum of the Arts, Manhattan
Denim Art

A Zed’s Eye View of the Children’s Museum of the Arts

Zed and I discussed his impression of the museum afterwards. He really liked it, and said he both learned stuff (like how tedious it is to make a stop-motion animation) and had fun (particularly in the room of soft bricks).

Zed made several things, including a pastel drawing of a “spider-mobile.” I would’ve thought that as a New Yorker Spider-Man would just take a Lyft or Via where he needs to go, or the subway. But Zed disagrees.  He singled out the art studio as his favorite part, because he liked having a broad choice of materials to work with, and the freedom to create what he wanted to create.

Spider Mobile
“Zed,” “Spider-Mobile Worldwide,” 2018, pastel on paper

His one caveat in terms of recommending the place was that he thought it best for “friends who don’t act like they have ADHD.” An interesting (and deliberate) choice of phrasing, but it conveys his point, and I agree. The CMA demands some focus and concentration from its young visitors, so those who are challenged by that may not find it fun. For most kids, though, it’s a good place to spend an afternoon experimenting with different artistic types and techniques.

I made about 5 seconds of this video (the bit starting at 0:35):

One final note: the Children’s Museum of the Arts lacks a cafe — be sure to bring some juice boxes or a snack or something. Alternately, if your kid, like Zed, is both sufficiently mature and obsessed with cars, there’s a very nearby Joe Coffee located inside the Cadillac showroom. So kids (or grown-ups, even) can ogle some extremely fancy cars while enjoying a post-museum snack.

Children's Museum of the Arts, Manhattan

For Reference:

Address 103 Charlton Street, Manhattan
Website cmany.org
Cost  General Admission:  $12
Other Relevant Links

 

Neue Galerie

Edification value  4/5
Entertainment value  4/5
Should you go?  4/5
Time spent 101 minutes
Best thing I saw or learned Café Sabarsky comes as close as possible to a trip to Vienna while remaining in New York City.  If the whole café seems too broad for a “best thing,” I will call out the cake display specifically.

Cafe Sabarsky at the Neue Galerie, New York

Should I recommend a museum just because I love its café?  Sure, why not.

Cafe Sabarsky, Neue Galerie, New York
Sacher Torte and Wiener Mélange

And Café Sabarsky is wonderful, unique, and an important part of the overall experience of a museum whose mission is to transport visitors to a specific time and place, in this case Austria-Hungary at the dawn of the 20th century. Continue reading “Neue Galerie”

Pratt Manhattan Gallery

Edification value  2/5
Entertainment value  3/5
Should you go?  3/5
Time spent 21 minutes
Best thing I saw or learned Kathryn Fleming’s Ursa Hibernation Station, an idea for a new home appliance:  a portable, pram-sized bear hibernator.  So that you can watch (and possibly envy!) your genetically modified mini bear as it sleeps the winter away.

Pratt Institute, Manhattan Campus

Pratt Institute, Manhattan Campus

The Pratt Institute dates to 1887, when it was founded to give an opportunity for an advanced education to anyone.  Today it is mainly known for programs in architecture, art, and design, so it’s fitting that Pratt’s Manhattan building, a handsome edifice on 14th Street, includes an art gallery on its second floor.

The Pratt Manhattan Gallery is a nice space, long and somewhat narrow, with high ceilings and large windows overlooking 14th Street.  Kind of the usual for a New York art space:  an older space repurposed with white walls, wood floors, periodic columns, exposed duct work and ceiling pipes lending a splash of color.

Pratt Manhattan Gallery

What’s on View

The exhibition when I visited was titled “See Yourself E(x)ist.”  I have seen a lot of contemporary, academic art shows during this project.  I’ve developed a theory that all such exhibits must be about one of four things:

  1. Migration and refugees
  2. Multiculturalism versus assimilation
  3. Gender and identity
  4. Our declining environment

Or I guess, further simplifying, there is only one topic for a contemporary, academic art show:

  1. Riling up conservatives.

This was a Type 4 exhibition, viewed through the lens of technology.  While its theme was different, “The Roaming Eye” at the Shirley Fiterman Art Center featured a number of works that would’ve fit right in here.

I liked it, though I remain somewhat mystified by the typography of the exhibition title.  Anything (x)ist makes me think of the men’s underwear brand, which I’m sure was the curator did not intend.  At least, I think.

Pratt Manhattan Gallery
Jaime Pitarch, “Chernobyl,” 2009

The exhibit offered a good diversity of pieces, including some video and digital art and a rather amusing interactive work that greatly amplified the sound that sand grains make falling in an egg timer.  I like shows that can unite artists in a broad array of media round a common topic.

I also like shows that have at least a little wit or humor in the mix; art that takes itself too seriously tends to lose me.  I enjoyed See Yourself E(x)ist on that front, too.  Jaime Pitarch’s Chernobyl, a mutant matrioshka doll, made me smile.

I felt similarly about a set of pieces by Fantich & Young called Apex Predator | Darwinian Voodoo, that re-envisioned common objects (men’s shoes, a basketball) studded with human teeth.  Eek, creepy and effective. (Lest you worry, the teeth came from dentures.)

Pratt Institute, Manhattan Campus
Fantich & Young, “Alpha Oxfords,” 2010

Should You Go to the Pratt Manhattan Gallery?

Pratt Manhattan GalleryIt’s always hard to judge a museum like the Pratt Manhattan Gallery based on a single show. But it’s conveniently located, and a nice space. I’m pretty comfortable asserting that if you happen to be around West 14th Street and you feel like seeing some contemporary, academic art, whatever’s on view will hew to one of the four themes above, but it’ll likely be interesting and worth the time as well.

For Reference:

Address 144 West 14th Street, 2nd floor, Manhattan
Website pratt.edu
Cost  General Admission:  Free