| Edification value | |
|---|---|
| Entertainment value | |
| Should you go? | |
| Time spent | 68 minutes |
| Best thing I saw or learned | A set of prints by Julie Mehretu and Jessica Rankin titled “Struggling With Words That Count, 2014-2016.” Less abstract than I’m used to from Mehretu, they combined mostly serene and spacey images with obscure texts in a way I really liked.
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I started this project a bit over a year ago fully aware that things would change — I’d discover new museums to add to my list, and remove ones that didn’t fit my evolving definition of “museum.” Sure enough, one museum I’ve reviewed, the terrific Fisher-Landau Center in Queens, has shut down.
And another museum, Columbia University’s Miriam and Ira D. Wallach Art Gallery, has moved to spiffy new digs. I recently edited my review of the Jewish Museum, based on the terrific reinstallation of its permanent collection. That makes this my second re-review of an institution. (Check out my review of Wallach 1.0 here.)

Continue reading “Miriam and Ira D. Wallach Art Gallery, Columbia University”


My second entry and already I’m in trouble. Am I reviewing spaces, or exhibits? The Wallach Gallery, on the 8th floor of Schermerhorn Hall at Columbia, has no permanent collection. It is just a space for temporary shows. I started writing this about “Finesse,” the current show there, and realized that’s not quite right. 
Programming at JCAL heavily emphasizes the performing arts, film screenings and lectures. JCAL’s main building has a theater, and it manages a nearby church building as a converted performing arts space. Classes are also a big part of the mission, including workshops and after-school programs for kids.




work. Abandoned as a school due to a fire in the pyromaniacal 1970s, the Clemente Soto Vélez Center was founded in 1993. It operates a number of endeavors in the building, including four theaters, artist studios, rehearsal spaces, two art galleries, and the aforementioned Escape the Room game.






Since 1996, the building, in a charmingly shabby state today, has served as the home of the Williamsburg Art and Historical Center (or “WAH Center”), a moderately sized gallery space on its second floor.