Louis Armstrong House Museum

Edification value  3/5
Entertainment value  4/5
Should you go?  4/5
Time spent 82 minutes + 45 minutes at the Louis Armstrong Center (see update below)
Best thing I saw or learned This place feels so real.  It’s like Louis and Lucille Armstrong just left the room to get you an iced tea, and they’ll be back in a jiffy.  Nothing is labeled, no velvet ropes.  The Armstrongs’ iron (or very good facsimile) still sits in their closet. I strongly suspect their air conditioners cool some of the rooms.  More than any other house museum I’ve visited so far, this place still feels like a home.

UPDATE: JUNE 2024

I first visited the Louis Armstrong House in July of 2017. As I mentioned in my 2017 review (below), the Louis Armstrong House had plans to build a new visitor center on a vacant lot across the street from Louis and Lucille’s house. That finally came to fruition in 2023 and so I recently returned to see the Louis Armstrong Center. I also re-took the tour, but rather than rewrite the whole review I’m tacking on this addendum (pre-dendum? fore-dendum?) to say a few words about the new exhibit, and how it goes with the house.

The new building is modern, fit to the low-rise residential neighborhood but with an exuberant glass facade. It houses the Louis Armstrong Archive, and has spaces for performance and instruction (I peeked in on a couple of kids practicing the trumpet), as well as a gift shop. The main thing visitors will care about, though, is an exhibit titled “Here to Stay” that summarizes Louis Armstrong’s life and times through selected artifacts and video and audio clips. This replaces the small exhibit in the former Armstrong rec room that I describe in the original review. 

“Here to Stay” includes sections with titles like “Roots,” “Tools,” “Ambassador,” and “On Film.” Each display combines some artifacts and photos and wall texts telling the relevant story. Most surprising to me was a section called “Armstrong the Artist.” I mean, obviously he was one of the greatest artists of all time. But this section refers to Louis Armstrong as a visual artist. He made collages, in both scrapbooks and on the covers of the hundreds of reel-to-reel tapes he recorded. Is collage the visual arts equivalent to jazz? Maybe. Taking bits and pieces, remixing and matching them, putting them into surprising new orders, improvisationally. It makes sense, and showed me a side to Armstrong I had no idea about before.

Louis Armstrong's OTHER art, collage (on tape cases)

Interactive table at Louis Armstrong CenterThe exhibit also features an circular interactive table with multiple touchscreens. This gadget, designed to look like a record, that lets visitors explore in huge detail Louis Armstrong’s music, his collaborations with other artists, his travels, his life and the neighborhood, and more, all with stills, video, and audio. You could spend a long time exploring there.

The opening of the Louis Armstrong Center has provided a welcome opportunity to re-visit both the Armstrong’s house and my original review of it from seven years (!) ago.

In the years since my first visit, my love of the place has only grown. Whenever someone asks me for examples of unusual New York museums they should visit, it’s near the top of my list. And I regularly refer to it as my favorite house museum in New York. The addition of the new Louis Armstrong Center only strengthens the overall experience. I’m really glad they didn’t try to change the house itself to pack in more museum-type bits. So I’m taking advantage of this addendum to update my former rating (it was 3-4-4 before). This is absolutely one of the best museums in New York City, a wonderful tribute to a wonderful pair of people, and everyone should go.

With that, I’ll pass you off to Joe from seven years ago to give hist impressions of the house part of the Louis Armstrong House, dating from June of 2017. Having just taken the tour again, I can vouch for it being just as good this time around. You still can’t take pictures inside, though.

ORIGINAL POST: JUNE, 2017

A riddle:  If Louis Armstrong were a superhero (and I’m not saying he wasn’t), what would he call his souped up vehicle for patrolling the streets of Gotham?

A:  The SATCHMOBILE.

Actually the Satchmobile is the name of the official van of the Louis Armstrong House Museum.

Satchmobile, Louis Armstrong House Museum, Queens
Quick, Dizzy, to the Satchmobile!

Louis Armstrong practically invented jazz.  He played all over the world, made a bajillion records, sang songs that everyone knows. And when he wasn’t doing all that, from 1943 until the day he died he and his wife Lucille lived in a modest three-story brick house in the Corona area of Queens.  They entertained generations of neighborhood kids, Louis made tape recordings of himself (he was sort of a tape diarist), and generally lived far more quietly than you’d expect from a jazz superhero.

Louis Armstrong House Museum, Corona, Queens

Louis Armstrong died in 1971.  Lucille lived for another 12 years, until 1983.  They never had kids.  And the house, pretty much exactly as it was when Lucille died, passed into the hands of the city.  Queens College manages the place, and they lovingly restored and opened it in 2003 as the best house museum I’ve seen so far.

You can only enter the house on guided tours, but my gods, it feels just like you’re visiting the Armstrongs. The group (nine people joined my tour on a random Saturday afternoon) goes right up the front steps, rings the musical door chime, and proceeds on their visit, which explores every room in the house, down to the breakfast nook.

Louis Armstrong House Museum, Queens, New York

The House

The management frowns on photos.  I cheated once, to take a picture of Louis Armstrong’s infinitely mirrored bathroom. I wondered if Yayoi Kusama ever visited the Armstrongs.  Or took this tour…

Bathroom, Louis Armstrong House Museum, Queens

Here are some of the things I managed to resist photographing:

  • Louis’s wood paneled den with its fabulous bar (there is still alcohol in his bar.  Drambuie.) and fabulous reel-to-reel tape recorders.
  • The Armstrongs’ bedroom with its wild silver wallpaper.
  • The amazing 50s kitchen.  Bright blue, enameled, curvy cabinetry, custom sub-zero fridge, everything built in.  Paper towels stored in their own wall cubby. They even had a blender built into their countertop.  Lucille and her kitchen designer were geniuses!
  • Their white upright piano, which neither of them could play, but looked good in the living room.
  • Four green ashtrays shaped like the suits from a deck of cards.
  • Art from a lifetime of world travels.
  • Okay, I wanted to take pictures of everything.

But I could not resist the bathroom.  I apologize, Louis Armstrong House Museum folks.  

The Louis Armstrong House uses sound, but unexpectedly it doesn’t play a lot of music.  Rather, during the tour, the guide periodically plays bits of recordings of Armstrong talking about the house and his life.  In his den, there’s a portrait of him by Tony Bennett (!), and Louis talks about that–how he signed it “Benedetto.”  Letting the man speak for himself in his own home works incredibly well.

A Few Other Things

Louis Armstrong House
The gift shop’s in Louis Armstrong’s garage

The entry to the Louis Armstrong House and its gift shop is in their former garage.

From the garage you proceed to a small exhibit area, in what used to be his rec room.  Where he played poker with Dizzy Gillespie.  (His poker table is on display upstairs.) I like to think of it as the Satch-cave. 

Look at these stairs!  And the wallpaper!

Exhibit Room, with inevitable brief DVD introduction

Currently there’s a display commemorating the 50th anniversary of the inescapable, somewhat saccharin (to my taste) “What a Wonderful World.”  Not a hit when first released, the film “Good Morning Vietnam” rediscovered the song and set it on its path toward ubiquity.  But Louis said whenever he sang it, it reminded him of Corona.

You can also see Armstrong’s bathrobe and slippers, life mask, and suitcases.  And one of his trumpets.  And three pages he wrote about his joy living in the neighborhood.  I got the sense that even if someone had offered them, say, Andrew Carnegie’s mansion, he and Lucille would’ve stayed right where they were.

Koi pond, Louis Armstrong HouseThe most unexpected thing about the house is the Armstrongs bought the lot next door and made it into an expansive garden, with  pine trees, a little lawn, a tiny koi pond, and a bar and barbecue.  In this one place, I felt a legendary musician exerting some star power. They only built the garden in 1970, so just a year before Armstrong died.  Better late than never.

Garden, Louis Armstrong House

I sat there for a while playing in my head what I’ll get to say when someone asks me what I was up to today.  “Oh, not much.  Sat in Louis Armstrong’s garden reading a magazine for a bit.”

Changes Coming

Louis Armstrong House
New interpretive center coming soon…

The Louis Armstrong House experience will soon change significantly.   A vacant lot across the street (where they currently park the Satchmobile) is going to get a spiffy new building that will greatly increase the museum’s ability to tell Louis and Lucille’s story.  I think that’s wonderful — though I wonder if the neighbors on this quiet block agree. 

But even as they’re able to show off more of their collection, I sincerely hope that the house stays just exactly the way it is.  It is an amazing monument to the talent, humility, and soul of one of the great figures in the history of music.

You can build museums to jazz (not saying you can succeed, but you can try).  You can memorialize great concert performances in museum form. You can  digitize music and tell its story through touchscreens and headphones.  But nothing you can possibly do will bring you closer to Louis Armstrong than visiting his house in Corona, Queens.

Meanwhile, somebody please write a Justice League-style comic book featuring the Superheroes of Jazz battling the forces of squareness.

Trumpet, Louis Armstrong House
Steiner trumpet, gift to Armstrong from King George V, July 1934.

For Reference:

Address 34-56 107th Street, Flushing, Queens
Website louisarmstronghouse.org
Cost  General Admission:  $10, with tour

Statue of Liberty Museum

Edification value  3/5
Entertainment value  4/5
Should you go?  4/5
Time spent 37 minutes (in the museum; far longer getting to and wandering around Liberty Island)
Best thing I saw or learned I keep coming back to a pair of quotations. One was from an editorial from the Black-owned Cleveland Gazette from Nov. 27, 1886, that read, “Shove the Bartholdi Statue, torch and all, into the ocean until the ‘liberty’ of this country [exists for the] colored man.” Alongside that was a quote from Lillie Devereux Blake, president of the New York State Woman Suffrage Association, who said, “In erecting a Statue of Liberty embodied as a woman in a land where no woman has political liberty, men have shown a delightful inconsistency.” Cheers to this museum for celebrating the statue and what she means, while acknowledging that not everyone agreed, even back in 1886, that liberty was a done deal.

Note: This review updates my review of the old Statue of Liberty Museum, dating from 2018, when the museum was located inside the Liberty’s pedestal.

Why Liberty?

We do not live in terribly allegorical times. Alas, this era rewards bluntness over allusion, and literalism rather than metaphor. How, then, can can one explain the enduring popularity of “Liberty Enlightening the World,” a very allegorical and symbolic symbol indeed, standing on an island in New York Harbor? 

Liberty Enlightening the World
Lady Liberty

Because, judging from the insane queues of people who had journeyed from every corner of the world to go visit her inconvenient island, Lady Liberty remains exceedingly popular.

It’s stranger still because, when you think about it, “Liberty Enlightening the World” is a particularly 19th century sort of idea, obsolete in times where many both in the United States and outside it would question the mission statement.

With those thoughts on my mind, I semi-patiently queued, scrummed, went through airport-style security and boarded a ferry to cross the harbor to visit her, and the museum that tells her story.

The Statue’s Story

Surely everyone knows the story of the Statue of Liberty. Gift from France, colossal, New York Harbor. Immigrants. Lifting her lamp beside the golden door. Yadda yadda yadda.

The museum highlights five instrumental people, also immortalized in statues on Liberty Island:

  • Edouard de Laboulaye:  who dreamed her
  • Auguste Bartholdi:  who designed her
  • Gustav Eiffel:  who engineered her
  • Joseph Pulitzer: who raised the money to give her a place to stand
  • Emma Lazarus: who gave her her soul
 

Statues of the key figures in the creation of the Statue of Liberty, Liberty Island

Old Statue, New-ish Museum

The Statue of Liberty Museum occupies a purpose-built, very modern building on the northern edge of Liberty Island, as far from the statue as one can get without plunging into the harbor. Opened in 2019, it boasts a green roof, ample space for accommodating the huddled masses from the ferry, and fantastic views toward Manhattan, as well as of Lady Liberty’s rear.

Statue of Liberty Museum, Liberty Island, New York

The museum tells the story of the genesis, engineering, construction, and gifting of the statue, as well as her absolutely iconic role as a symbol of freedom, democracy, New York City, and the United States. Among other treasures, it includes the statue’s original lit-from-within torch, replaced during the 1986 rehabilitation of the Statue.

Continue reading “Statue of Liberty Museum”

Jackie Robinson Museum

Edification value 3/5
Entertainment value 2/5
Should you go? 2/5
Time spent 74 minutes
Best thing I saw or learned In 1956 the Brooklyn Dodgers made a goodwill tour of Japan. It’s a footnote to Jackie Robinson’s story but I loved the display containing photos, tickets, and other souvenirs from that trip. Jackie Robinson / Dodgers program in Japanese

I grew up a fan of both science fiction and dry English humor. As a result, whenever I see the number 42 I immediately think of the Answer to the Ultimate Question of Life, the Universe, and Everything. 

42 - 9 - 5 : Jackie Robinson's numbers as a professional athleteIf instead I had grown up in Brooklyn and been a fan of baseball, the number 42 would’ve had a similarly huge and cosmic significance. It was Jackie Robinson’s number when he played for the Brooklyn Dodgers from 1947 to 1956.

That significance of 42 is explored in detail at one of New York City’s newest museums (as of April 2023), the Jackie Robinson Museum, located somewhat unexpectedly in Soho. 

Jackie Robinson Museum

Texts and timelines

The Jackie Robinson Museum occupies a bright ground floor space at the corner of Canal and Varick Streets. It’s something of a shame, actually, as the south-facing windows are almost entirely blocked by displays. A bit of daylight sneaks around them, but the design diminishes some the potential awesomeness of the space.

The museum comprises two main galleries: One devoted to Robinson the man and the other to Robinson the athlete. Smaller spaces invite visitors to “speak out, stand up!” (in a stairwell) and highlight Jackie Robinson in pop culture (by the restrooms). The curators take a role-based approach to Robinson’s life: soldier, activist, entrepreneur, family man, and of course athlete. Each of those pillars of the man is represented by a literal pillar in the museum, summarized by nice little infographics of key stats: “Jackie by the Numbers.”

There's a lot to read at the Jackie Robinson Museum

Infographics notwithstanding, the museum is extremely text-heavy — it felt like reading a Jackie Robinson biography printed on the walls (the photo here is typical). Indeed, it surprised me how little video the museum uses. (More on that in a moment.)

Beyond the copious amounts of text, each gallery contains a giant wall-filling timeline, one for Robinson’s life and one for his sports career.

Timeline of Jackie Robinson's life and times
Timeline blocking a view of Canal Street

Where’s Jackie Robinson?

If there was one thing missing from the Jackie Robinson Museum it’s, surprisingly, Jackie Robinson himself. For sure, there are lots of photos of him, and memorabilia, and quotations in wall texts. But for a very famous person who must’ve given countless radio and television interviews — the museum says that he even starred in his own biopic — there’s very little of that in the Jackie Robinson Museum.

It’s a notable contrast to the presence of Louis Armstrong that fills the wonderful Louis Armstrong House in Queens. Louis’s self-recorded audio journals bring the place to life. Here, Robinson doesn’t tell his own story so much as have it told for him, and the experience is poorer for it.

Wall of multimedia recordings of interviews about Jackie Robinson

It’s not that the place is against media. There’s a whole corner of interactive tablets featuring  public figures delivering encomiums to Jackie Robinson’s general awesomeness, but not Robinson himself.

I’m never one to advocate for tech for its own sake, but in this metaversal age, if there’s any New York museum that could justify a tasteful holographic re-creation of its raison d’etre, it’s this museum.

The museum does include a fun, interactive, multi-sensory recreation of Ebbets Field (the Dodgers’ legendary stadium in Flatbush). So the curators thought along these lines.

A taste of Ebbets Field
Multimedia, interactive, Ebbets Field

Should you visit the Jackie Robinson Museum?

Old-school Brooklynites, Dodgers fans, and fans of historic moments in racial integration will definitely want to visit the Jackie Robinson Museum. Fans of Jackie Robinson’s story should also visit the awesome City Reliquary, which houses a lighthearted shrine to the man.

The museum does its job. I learned a significant amount about a historical figure I didn’t know all that much about –beyond his key historic achievement. However, I wish the narrative struck a better balance between the history and the fun, and with a lot less to read.

And when it comes to fun, the Jackie Robinson Museum swings and misses. For sure, the difficult, painful challenges of fighting racism and integrating Major League Baseball are stories this museum needs to tell. But this is also a story about baseball, and Chock Full O’Nuts coffee (When he retired from the Dodgers, Robinson became a VP there, the first Black vice president of a major American company), and being one of the most famous athletes in the world. It’s not that the Jackie Robinson Museum ignored the triumphs in Jackie Robinson’s life. It’s just that the balance felt off, and the man himself felt strangely absent. And that makes it hard to recommend to anyone with a merely casual interest.

Jackie Robinson Apple Ad

For Reference:

Address 75 Varick Street, Manhattan
Website jackierobinsonmuseum.org
Cost  General Admission:  $18
Other Relevant Links

 

Museum of the American Gangster

Edification value 2/5
Entertainment value 4/5
Should you go? 2/5
Time spent 108 minutes
Best thing I saw or learned I liked this dusty model rum runner, combined with Mimi’s commentary drawing a direct line from these boats to World War II PT boats and Kennedy’s wartime heroism.   

Museum of the American Gangster-Rum Runner
Rum Runner!

I arrived at the Museum of the American Gangster predisposed to dislike it. A small, threadbare operation by the sound of it, two modest rooms over a nautically-themed absinthe-specialist dive bar on St. Marks Place (with a fancy take-out-window sandwich shop embedded in it). Combine that premise with a steep $20 admission charge and it seemed sketchy — like the execrable Ground Zero Museum Workshop, a ploy to separate gullible museum-goers from their hard-earned cash.

Museum of the American Gangster-Entrance

And, yup, it’s that.

But it’s not just that. It’s also Mimi, the guide on the Sunday shortly before New Year’s when I took my tour. Mimi who gave a rather astonishing, 105-minute, note-free, free-associative, and fascinating history of the entire American project, from colonization through today, as viewed through the lens of organized crime and from the unapologetic perspective of a smart, funny, middle-aged, super-liberal, Jewish New Yorker.

I realize that description contains a fair amount of redundancy.

What I Saw at the Gangster Museum

The Gangster Museum is indeed basically two rooms, the size of a starter New York apartment (which in a past life it probably was). Very much of the Science Fair variety of exhibition: lots of photos, reproduction documents, and wall text with a few artifacts (old bottles, models, some bullets from the St. Valentine’s Day Massacre…Tommy gun) to liven things up.

Museum of the American Gangster-Tommy Gun

You can only visit on a tour — no wandering in off the street. For the first chunk of it, covering the early history of organized crime and booze and America, there are thankfully seats. The second part is about standing and peering at pictures on the walls. There’s not much of any time for self-guided exploration, but then again, there’s not much to explore.

Museum of the American Gangster-OfficeThe space is, to put it kindly, disheveled. A desk in at the front of the first room serves as the office, with various bits that should probably be thrown out or tidied up, just kind of out there. If you need a restroom break, visit the dive bar on the ground floor.

Eventually, the tour takes you down to said dive bar, which was a speakeasy during Prohibition, and which also now houses the old St Mark’s Theater, installed after the Prohibition days. Then you put on somewhat sketchy hard hats (are these things sanitized between visitors?) and go down to the basement, which is even sketchier, and gives you a great view into what the basement of an East Village apartment building that also contains a dive bar and trendy sandwich shop looks like.  Cluttered with utility pipes and ducts and wires and conduits dangerously everywhere.

Museum of the American Gangster-Basement
Typical East Village Basement

 

In the Prohibition days, the organized criminal who ran the enterprise kept his office down there, and you can see what the space is like today. It didn’t add much.

What I Heard at the Gangster Museum

I’m not going to try to reconstruct the Gangster Museum spiel from my notes. You need to hear it firsthand. Some highlights of what we covered, though:

  • The triangle slave trade
  • Women’s rights and the dawn of Prohibition
  • Southern plantations as Auschwitz
  • Rum Runners and Kennedy’s WWII Heroics
  • Prescription Booze
  • The Dawn of the Cocktail
  • The Chemist Wars as Extrajudicial Killing — or “Assisted Suicide”
  • Prohibition was just for the poor

And then we finally got to gangsters. This review is already long enough but two of my particular favorite quotes from the gangster part were: 

  • Arnold Rothstein (real gangster): “I think we can do crime better.”
  • Omar Little (fictional gangster): “You come at the king, you best not miss.”

We rolled right over our allotted tour time and still barely had time for the history of the building. As it was Mimi turned away a guy who arrived for the 2:30 tour — sent him to the bar for a hot apple cider, because she wasn’t finished with us yet.

Museum of the American Gangster-Interior

We learned of lost safes, buried in concrete. The speakeasy turned theater, the lost office, the whole building an “improvised explosive device” should the Feds come knocking. Escape tunnels and expired Italian dinners (locked in said safes).

I can’t even.

There was a whole heck of a lot left out. No real conversation about organized crime post-Prohibition, or certainly not post-WWII.

Nothing about the potentially awesome, deep topic of organized crime in popular culture. Though Mimi did talk about the ways that early gangsters masterfully manipulated their images in popular culture — at least until their extralegal activities got too bloody or grandiose for their generosity or outsized personalities to balance.

I left exhausted and excited in a way I hardly expected from a two-room, threadbare, quasi-museum.

Museum of the American Gangster-Interior

Is The Museum of the American Gangster a Hit?

Rarely in the course of my museum project have I found myself so stymied by the bottom line. Generally, it’s an easy “go” or “don’t go.” Or a “go if you’re into so-and-so topic.” The Museum of the American Gangster isn’t a good museum — it’s not worth it if you approach it as one, even if you’re into organized crime.

But think of this place, instead, as a theatrical experience. Your reaction to it will completely depend on your guide and whether you click with that person. I can only speak for Mimi, who reminded me why I love this city in all its quirky, passionate, fascinating diversity.

Note also that there’s a Groupon deal seemingly always available that gets you in two-for-one. Do that. Even for Mimi, I have trouble recommending spending $20 on the Gangster Museum.

Museum of the American Gangster-Exterior

 

For Reference:

Address 80 Saint Marks Place, Manhattan (near First Avenue)
Website museumoftheamericangangster.org
Cost  General Admission:  $20, check website for guided tour times. Note, check Groupon for a 2 for one deal.
Other Relevant Links

 

Coney Island Museum

Edification value 3/5
Entertainment value 3/5
Should you go? 4/5
Time spent 52 minutes
Best thing I saw or learned I liked three bumper cars on display, dating from (from left to right) the 1950s, the 1930s, and the 1980s. They demonstrate that if a technology is sufficiently perfect, it won’t change much over time.

Coney Island Museum, Brooklyn
Evolution of Bumper Cars
   
   

It often goes overlooked, but New York, like Venice, is a city of islands. And not just the obvious Manhattan, Staten, and Long.  This project has taken me to many of the city’s lesser islands, including City, Governor’sLiberty, and Ellis.  There’s no museum on Roosevelt Island, I note. But now, near the end of my journey, I’ve gone to Coney.

Coney Island Museum
The View From the Museum

Coney Island. Iconic playland for New York City, and thanks to twentieth century mass media, for the entire country.  Maybe the world.  Slightly tawdry, slightly tacky, entirely fun and open to one and all, the very name evokes the image of hot summer days, boardwalks, hot dogs, and a thousand and one sticky, sunburned delights. Continue reading “Coney Island Museum”

Federal Reserve Bank of New York Museum

 

Edification value  3/5
Entertainment value  
Should you go?  4/5
Time spent 108 minutes
Best thing I saw or learned The tantalizing glimpse into the gold vault.  I’m not awed by wealth, generally, but there’s wealth and there’s WEALTH.

Federal Reserve Bank of New YorkThe Federal Reserve Bank of New York occupies a huge (full city block) beautiful Italian palazzo of a building constructed for it in 1924.  Its classical grandeur meant to evoke the stability of many centuries of tradition. Solid and rich, like a Medici. Which was important, because the Fed was then still a fairly young institution created to stabilize the financial system and steer the economy in the right direction.

Security at the New York Fed exceeds even that of the United Nations. And frankly, in terms of relative institutional importance, that might be appropriate.

However, mere mortals can in fact visit. Limited free tours introduce visitors to the history and role of the Federal Reserve System, explain what the New York Fed does in particular, and, best of all, permit them to ogle one of the largest accumulations of gold in the world. Continue reading “Federal Reserve Bank of New York Museum”

Ellis Island National Museum of Immigration

Edification value  
Entertainment value 4/5
Should you go?  
Time spent 213 minutes
Best thing I saw or learned Ellis Island National Immigration Museum, New York

Ellis Island’s mental health tests were simple puzzles designed to be as culturally and linguistically neutral as possible. In theory, they quickly weeded out anyone who needed a closer cognitive look.

The classic twofer of New York Harbor is typically viewed as nerdy little brother Ellis overshadowed by big sister Liberty, who enlightens the world.  But from a museum perspective it is the reverse.  Ellis Island’s outstanding National Museum of Immigration tells the story of a unique era in American history, in the space where that era unfolded.  Twelve million people got their starts in the United States right here.

Ellis Island National Immigration Museum, New York Continue reading “Ellis Island National Museum of Immigration”

Conference House

 

Edification value  
Entertainment value  3/5
Should you go?  2/5
Time spent 65 minutes
Best thing I saw or learned As is very often the case with historic houses, I was enamored of the Conference House kitchen, which includes the original open hearth stove. I wouldn’t want to have to cook there, especially not in the summer. But it’s neat to look at.

Conference House, Staten Island

Far, far away, on the southern shore of Staten Island, is an old farmhouse.  And I mean, pretty darn old.  The Billopp House, better known as Conference House, dates to around 1675.  Wyckoff House in Brooklyn and Bowne House in Queens are older. And there are four houses in Staten Island that are older, too.  I suppose Staten Islanders don’t tear stuff down as aggressively as they do in other boroughs.

Conference House, Staten Island

Anyway, Billopp House survives not through an accident of fate or because the Billopps themselves did anything particularly great or notorious.  Rather, it survives because of a single afternoon there in 1776. Continue reading “Conference House”

Roosevelt House

 

Edification value  3/5
Entertainment value  3/5
Should you go?  3/5
Time spent 88 minutes
Best thing I saw or learned
Roosevelt House, Hunter College
Happy Days Are Here Again Set

This 1934 pitcher and mug set featuring caricatures of FDR and other Democrats, created by the Stangl Pottery Company following the repeal of prohibition. Cheers!Roosevelt House, Hunter College

Roosevelt House on East 65th Street is Hunter College’s public policy institute.  Lots of schools name places after people who gave them money or famous alums (or both!) so you might just think, “Oh the Roosevelts bought naming rights back in the day.”  Or, I mean, it’s Roosevelt, why not name something policy-related after any or all of them?  But all those hypotheses are wrong!

Roosevelt House, Hunter CollegeFor nearly a quarter of a century FDR and Eleanor lived there as their place in New York City.  Actually it’s two houses designed to look like one from the outside. Franklin and Eleanor lived to the right, while FDR’s mom lived to the left.  While few historic furnishings remain, the house’s internal fabric is similar enough that you can get a sense of the space the Roosevelts occupied. And it’s open for public tours on Saturdays.  

For some reason, Hunter keeps this quiet. I stumbled on to the place late; it was not on my initial list of museums.  I think this is the most under-the-radar historic house museum in Manhattan.  And I’ve been to all of them.  At least, I think I have.

Franklin and Eleanor Roosevelt in New York City

When Franklin and Eleanor married in 1905, Sara Delano Roosevelt, FDR’s mom, gave them a drawing of a townhouse as a wedding gift.  It took a while to deliver on the real-world equivalent, and it’s unclear whether she specified she’d be their extremely close neighbor.  But still, pretty neat wedding present.

The Roosevelts moved into the Charles Platt-designed house in 1908.  They already had Anna and James, and had a further three surviving children while living there.  The house feels big by New York standards, though small by modern McMansion ones.  And maybe not so big for a family of 7 plus assorted staff.

Each of the paired houses featured a teensy elevator, installed mainly for staff use initially. They turned out to be extremely important once FDR contracted polio in 1921.  His wheelchair, designed to be as small and discreet as possible, could fit.

Roosevelt House, Hunter College

The Roosevelts’ library is still a library today, and contains an array of interesting Rooseveltiana, including a complete set of travel guides published by a Works Progress Administration program to provide work for unemployed writers.  Today, I guess, the government would just give ’em a blog.

Roosevelt House, Hunter College
WPA Guides

Among other historic events, the Roosevelts were living in the house when FDR won the presidency in 1932.  FDR’s first radio address to the nation (also recorded for newsreel distribution by Fox Movietone News, which I can’t help but find ironic) was broadcast from the drawing room.

The House and Hunter

Roosevelt House, Hunter College
Sara over the fireplace, flanked by FDR and Eleanor

Franklin and Eleanor were living in the White House when Sara Delano Roosevelt died in 1941. By that point, it seemed unlikely that their path would take them back to NYC, and so they decided to put the house/houses on the market.  Hunter approached the family with an offer, and, generously, the Roosevelts both cut their asking price and donated some money to the school.  In exchange, the house was named the “Sara Delano Roosevelt Memorial House for Religious and Racial Tolerance.”

Hunter used the house primarily as a student center,  filling a vital need to build community in what was then an all-girl school that specialized in training teachers.

As a part of a not-very-wealthy academic institution, the house was hard used and ill repaired.  Eventually in the 1990s the school had to close it; conditions inside were becoming downright dangerous.

Fortunately, Hunter admins and donors realized the importance of the house to the college, the city, and the country. The school raised nearly $20 million for a lengthy rehab.  The restoration was bad in terms of the historicity of the place, permanently merging the two houses into a single space.  But it was good in the sense that we might otherwise have lost the house entirely. As happened with Teddy Roosevelt’s torn down then rebuilt birthplace.

Roosevelt House, Hunter College
Sara Roosevelt’s Former Bedroom, now Seminar Room.

Should You Visit Roosevelt House?

Roosevelt House, Hunter CollegeToday if anyone thinks of Franklin and Eleanor Roosevelt’s residence at all, they likely think of Hyde Park, the estate north of New York that houses FDR’s presidential library.  That’s absolutely worth a visit; Roosevelt House in Manhattan pales by comparison.

But Hunter’s public policy institute was the Roosevelts’ city home as they were growing their family; as Franklin suffered and recovered from polio; and as FDR and Eleanor plotted out the beginnings of a political career that would lead to arguably America’s greatest presidency.

So what if they don’t have the sofas or the lamps or the bric-a-brac.  They have the place, and places matter.  The guided tour was terrific, too.  Rachel, a doctoral student when not guiding people around Roosevelt House,  told the story with wit, warmth, and intellect, augmented by photos and videos in the various rooms to help bring the Roosevelts back to life.

If you’re at all interested in 20th century American history, presidential lives and times, or how wealthy New Yorkers lived in the early 1900s, Roosevelt House is well worth a visit.

For Reference:

Address  47-49 East 65th Street, Manhattan
Website  roosevelthouse.hunter.cuny.edu
Cost  General Admission:  $10 suggested donation

 

Statue of Liberty Museum

Edification value  3/5
Entertainment value  4/5
Should you go?  4/5
Time spent 123 minutes (not counting time going through security, waiting for the ferry, or on the ferry)
Best thing I saw or learned I’d never given much thought to the Statue of Liberty’s pedestal. So the story of its design — and the near failure of the effort to raise the money to build it — fascinated me. Yes, it’s like choosing frame over the painting, but still.
Statue of Liberty, New York HarborThink how different she’d look if they’d gone with a stepped, Aztec-looking pyramid as her base.  Or something Egyptian revival.

Note: This is my entry about the original Statue of Liberty Museum, dating from May of 2018. Please see my updated review of the new museum on Liberty Island, here.

There aren’t all that many museums built to honor a single work of art. Right? I assert that and now suddenly I’m unsure of myself. In New York, there’s Walter de Maria’s Earth Room. And I think of the Hall of Fame for Great Americans as a single, unified whole, even though many busts of great men (and a few women) comprise it. And the Statue of Liberty Museum makes three.

Statue of Liberty, New York Harbor
Lady Liberty

The Statue of Liberty Museum occupies a substantial space in Liberty’s pedestal. It tells the story of the genesis, engineering, construction, and gifting of the statue, as well as her absolutely iconic role as a symbol of freedom, democracy, New York, and the United States. Among other treasures, it includes the statue’s original torch, glass and lit from inside. Continue reading “Statue of Liberty Museum”