Van Cortlandt House Museum

Edification value  
Entertainment value  
Should you go?  
Time spent 138 minutes
Best thing I saw or learned All the front windows of the house have neat, scary terra cotta faces centered above them. This was apparently a Dutch thing to ward off bad spirits.  Reproductions are available at the gift shop!

At the northern terminus of the Number 1 subway line lies Van Cortlandt Park, home of one of the oldest surviving houses in New York City.  Within the park, \ surrounded by an ancient iron fence, is a very fancy residence built in 1748 as a summer home by (surprise!) the Van Cortlandt family.  The grandest home in the area, the Van Cortlandts owned and lived in the house for about 140 years, until in 1887 as the family fortunes ebbed, they sold the property to the city as a park.  The National Society of Colonial Dames in the State of New York took over the house and opened it as a museum in 1897.  It is, of course, a New York City landmark.

The Van Cortlandts in the early days were super-wealthy, and the house showed it. They were also super-Dutch, proud of their heritage as New Amsterdammers, and many of the details of the house (including a blue and orange color scheme for the china cabinets in the parlor) reflect that as well. Little that’s in the house today remains from the Van Cortlandts, but most of the publicly accessible rooms are filled with period furniture and knick-knacks that give a sense of what the lives of the earlier generations of the family might have been like.

When it opened as a museum, one room was redone to depict a modest city house, simulating how a much less successful Dutch family would have lived down in Manhattan.  They’ve kept that to this day and while I would’ve liked  the place to be as close as possible to how the family lived in it, the contrast is informative.

I joined a tour being given by a guy named Paul — when they have tours, they do them in a repeated loop (which is probably not that fun for Paul), so you can join in progress and then stick around for the beginning of the next one to pick up what you missed.  It’s a little odd, leaving the Van Cortlandt background until the end, but it was very efficient.

Fancy, newly refurbished parlor/dining room, decorated a little later than the rest of the house. Note the neat Dutch tiles around the fireplace.

As I’m conditioned to do, I asked Paul about Hamilton.  There is no recorded occurrence of the great man visiting.  Washington did, though, thrice, as did John Adams.  The VC house was the only large, fancy home for miles around.  So Ham might’ve visited, but there’s no proof.

The Van Cortlandts lived a very different kind of life than the Dyckmans or the Hamiltons.  And of course their home is a huge contrast to a city house like the Treadwells’.  I wish that more of it was open — there are slave quarters up the back stairs that the only accessible periodically for special small-group tours because of the fire code.  And we didn’t get to see the kitchen — as a food lover I’m highly interested in the evolution of kitchens and cooking. But with each one of these homes I visit, my sense for life in and around the city in the 1700s-to-early-1800s gets deeper and richer.  And I have yet more appreciation for life in the 2010s.

On a sunny Sunday spring afternoon, Van Cortlandt park was full of people strolling, and several cricket teams in full whites, which made for interesting if rather bewildering spectating.  I highly recommend a visit to the park.  If you do, definitely venture past the iron fence and see how the Van Cortlandts lived.

For Reference:

Address Inside Van Cortlandt Park at 246th Street, the Bronx
Website vchm.org
Cost  General Admission:  $5, Free/donation on Wednesdays
Other Relevant Links

Austrian Cultural Forum Gallery

Edification value  
Entertainment value  
Should you go?  
Time spent 21 minutes
Best thing I saw or learned Mark Dion’s “Humboldt Cabinet,” (2013), a beautiful wooden construction containing postcards painted by Colombians with random everyday things: a cat, a bug, a light, a toy airplane, fish hooks…  It’s simple and beautiful and speaks wittily and intelligently to the urge to collect and categorize the exotic.

Stairs detail, all metal and glass

The Austrian Cultural Forum is housed in a remarkable contemporary building, skinny and super tall.  The forum formerly lived in a townhouse on a standard Manhattan lot of 25 feet wide by 100 feet deep.  When they decided they’d outgrown that space, like so many Manhattanites before them they tore it down and built up.  On a footprint of 25 feet by 81 feet, architect Raimond Abraham designed a 24-story building, including a multilevel exhibit space at and slightly below ground level. The new building opened in 2002.

 

Skylight over a bright, exotic, reptile- and flamingo- infested swamp

The gallery space is super.  The tower is slightly set back from the rear of the building such that there’s a skylight, and it’s therefore bright and airy.  The different levels flow together  well, and while the total space isn’t large, it gives them a lot of flexibility for small-scale shows.

The current exhibit is called “Constructing Paradise,” pretty self explanatory.  I was surprised and intrigued by the breadth of artists — a handful of young contemporary Austrian and American artists contribute pieces but there’s also a print by Gauguin (perhaps the granddaddy of exotic-paradise-seeking-or-constructing artists). Basquiat and Kara Walker and Oscar Kokoschka are represented too.

The show ends (if you view it from lowest to highest) with a computer-generated tropical, palm-strewn sunset Mathias Kessler, a very timely take on invented paradise.

This is a great space for art, and assuming this show is typical, I really like the way they program it. I’d say absolutely visit if you happen to be in midtown and need an art fix.  The Austrian Forum and the Onassis Center are across 52nd Street from one another and make a great double bill.

For Reference:

Address 11 E 52nd Street, Manhattan
Website acfny.org
Cost Free

Museum of the City of New York

Edification value  
Entertainment value  
Should you go?  
Time spent 203 minutes across 2 days.  I had a lot I wanted to see.
Best thing I saw or learned On display in “New York at its Core” show is the scrap of paper, literally the back of an envelope, on which Milton Glaser scribbled “I ♥︎NY.”  It’s such a quintessential statement it’s hard to imagine someone had to invent it, but Glaser did, in 1977.  That little idea changed the way generations of visitors think about this crazy place, and it elegantly expresses a sentiment I feel (almost) every day.

The Museum of the City of New York is an absolute treasure.  It occupies a really lovely Georgian/Federal-style building at the northern end of Museum Mile on Fifth Avenue.  The Museum started out its life in Gracie Mansion, but as its collection and ambitions grew, and its directors wanted it to be more central, a move seemed prudent. 

I confess I always assumed the building was legitimately old, though on reflection that doesn’t make sense.  Who in the 1800s would build a grand federal style institutional building that far north?  The building was started for the museum in 1929, and it was completed in 1932.

For all that it’s merely fake old, it’s got one of the best staircases of any museum in the city, a super-elegant curve leading up from the ground floor.  Nowadays complemented by a terrific light sculpture. 

It also claims to have the most exciting stairwell in the city, so it’s definitely got a New Yorker’s flair for self-promotion.

Off the top of my head, other great staircases, if you’re a scalaphile or like making a dramatic entrance, can be found at the Neue Gallerie, the Czech Center, the Frick Collection (but you can’t go on it), the Cooper Hewitt, the Rubin, and of course the grand stairs at the Met (both the outside and inside ones).  Come to list them, there are a lot of great staircases in New York City museums.  But City of New York’s is still near the top.

I also have to say a word or two about typography.  Most museums manage signage and wall descriptions okay, but not great. But it matters.  City of New York does its visuals stunningly well.  Legible, fun, brash…  It  makes navigating the museum a pleasure.

The main exhibit on currently is called “New York at its Core,” a look at the full sweep of the city’s history, from the earliest beginnings to the future.  It’s extremely well thought out, covering an immense amount of content economically and judiciously.  It also makes great use of interactive features.  Person-height vertical screens in the middle of the main room feature key historical characters on a rotating basis.  Interact with a character and you get more, potentially much more, about them and their contribution.  And it’s not just human characters, you can find out about players like beavers and oysters, too.  I’m often skeptical of the value of these kinds of things. Too often they are more sizzle than steak.  But this impressed me a lot.

I can’t argue with that…

Other exhibits look at the Gilded Age, protests in New York (no small topic),  photos of Muslim life in the city, and an in-depth look at the city’s zoning laws on the centennial of the original 1916 law.

Let me underscore that.  This museum can make a visually and intellectually interesting show out of the city’s zoning laws.

Graphic showing the number of pages in NYC’s Zoning Laws, 1916-present

Then there’s the Stettheimer dollhouse, with its legit modern art.  And the cafe (great, by the way, and at the top of the grand staircase). 

And the future bit of “New York at its Core” where via touchscreen you can design a building, streetscape or neighborhood and have it rated based on affordability and livability and environmentalism.  Neat, fun, and yet again way better implemented than is typical for that sort of technology.

And finally, as I do wherever I can, I will mention Alexander Hamilton, who is present, larger than life size, on the facade.

Should you go?  Absolutely.  City of New York epitomizes great museuming in my book.  It balances edification and entertainment with great finesse, and tells the story of this place such that both newcomers and lifelong New Yorkers can get something fresh and interesting out of it.

For Reference:

Address 1220 Fifth Avenue (at 103rd Street), Manhattan
Website mcny.org
Cost  General Admission:  $18

National Lighthouse Museum

 

Edification value
Entertainment value
Should you go?
Time spent 47 minutes
Best thing I saw or learned The largest Fresnel lens in the U.S. was installed at Makapu’u Point Lighthouse on Oahu in Hawai’i in 1909.  It was made in France and was featured at the 1893 World’s Columbian Exposition in Chicago.

The National Lighthouse Museum is a museum in its infancy.  Located a short stroll from the ferry terminal in St. George, Staten Island, the museum describes the history, technology, and design of lighthouses. Continue reading “National Lighthouse Museum”

Newhouse Center of Contemporary Art

Edification value
Entertainment value
Should you go?
Time spent 11 minutes
Best thing I saw or learned The building’s stained glass is a treasure of nautical and celestial themes.
Sailors’ Snug Harbor

The Newhouse Center is a challenge to review.  Like its neighbor the Noble Maritime Collection, its name creates a very wrong impression.  You think gallery, permanent collection, and with a name like Newhouse, it’s probably good stuff.  No, wrong, and not quite.

Continue reading “Newhouse Center of Contemporary Art”

Noble Maritime Collection

Edification value
Entertainment value
Should you go?
Time spent 57 minutes
Best thing I saw or learned John Noble made his art in a houseboat studio that he cobbled together, Frankenstein’s Monster-like, out of sundry boat bits and bobs over years.  The Collection acquired his studio, restored it beautifully, and moved the whole thing into a room in the building, where you can peek inside.

Sailors’ Snug Harbor

This museum suffers from a misleading name.  I walked into the Noble Maritime Collection expecting a dark basement full of dusty old nautical stuff, with a stuffy aristocratic bent. Instead, the collection occupies three light-filled, airy, beautifully restored floors of Building D at Sailors’ Snug Harbor.

It covers four main topics:

  • The life and art of John Noble, for whom the collection is named and who primarily made prints and drawings that captured the life of the harbor.
  • The founding and establishment of Snug Harbor in the early 19th century
  • The lives of sailors who retired to Snug Harbor
  • Robbins Reef Light, and Kate Walker, the remarkable woman who served as lighthousekeeper for over thirty years.

Continue reading “Noble Maritime Collection”

New York City Fire Museum

Edification value
Entertainment value
Should you go?
Time spent 62 minutes
Best thing I saw or learned This incredible 1872 punch bowl and goblets, 36 pieces and 800 ounces worth (that’s 50 pounds!  22.68kg!) of sterling silver.  A gift to Isaac Newton Marks, president of the New Orleans Fireman’s Charitable Association.  It’s hard to see in the picture but the stem of each goblet is a fire fighter.

CLOSED. As of June 2025, the Fire Museum is closed. It’s a scrappy museum, I hope it survives. The website says it’s temporary, but I imagine the old building that houses it needs a lot of upgrading.

New York City Fire MuseumThe Fire Museum is like the attic of the New York City Fire Department.  It’s where all the old interesting stuff is, and exploring it is very much like sifting through a collection of fire-related artifacts that someone at some point considered worth keeping. Continue reading “New York City Fire Museum”

American Numismatic Society Gallery

Edification value
Entertainment value
Should you go?
Time spent 22 minutes
Best thing I saw or learned In addition to coins, the Numismatic Society has some paper money, including this 1855 Bank of NY note.  It’s been a while since I  heard the phrase “queer as a three dollar bill” but I never thought I’d actually see one.

The American Numismatic Society is the center for all things related to the world of coins and coin collecting.  Their offices in Tribeca are literally a vault,  with a heavily secured air lock-style entry way.  There’s a noticeable difference in air pressure when you go in, too. 

As well it should be. They have a very large reference collection and heaven only knows what all that coinage might be worth.

And yet, for reasons I’m unclear on, they nonetheless have a small display area of about four cases open to the public.  Any schmoe can wander in off the street, show a photo ID and sign in, and take a look.

There are definitely some interesting things, and everything is well-labeled and explained.  They have commemorative medals as well as currency, and among the more exotic types of money on display are some examples of African iron currency, which tended to be very difficult to carry around in your pocket.

I think the Society’s exhibit is too small to strongly recommend a visit.  But it does offer a brief-but-thorough overview of coinage through the ages, going all the way back to a cuneiform tablet.  If you’re at all curious or you collected coins as a kid you might enjoy dropping by.

For Reference:

Address 75 Varick Street, 11th Floor, Manhattan
Website numismatics.org
Cost Free
Other Relevant Links

 

New York Public Library for the Performing Arts

Edification value
Entertainment value
Should you go?
Time spent 54 minutes
Best thing I saw or learned Given my weakness for fancy-dressed skeletons, I was tempted to pick the Red Death costume from “Phantom.” But I will instead say Julie Taymor’s  costume/puppet designs from the Lion King are the best thing currently at the library, and still the best thing (visually) on Broadway.

The New York Public Library’s branch at Lincoln Center is easy to overlook, tucked in between the Met and the Vivian Beaumont Theater.  It puts on a number of free exhibitions throughout the year, and has a fairly large space for doing so.  I saw a great show celebrating the 45th anniversary of Sesame Street there a few years back. Continue reading “New York Public Library for the Performing Arts”

New York School of Interior Design Gallery

Edification value
Entertainment value
Should you go?
Time spent 19 minutes
Best thing I saw or learned The front doors of the school of interior design are massive, wooden, sliding.  When the revolution comes, the building will ensure that interior designers hold out a little longer than say doggie daycare purveyors or third-generation coffee roasters.

If you wake up one day and want to be an interior designer, there are worse places you could learn your new trade than the New York School of Interior Design.  Occupying a midtown building that runs through the entire block, the school has a gallery that’s open to the public.

Unless you’re in the trade, or on a self-imposed mission to go to every museum in the city, I’m not sure really why you’d want to go to an interior design museum.  I didn’t find much terribly edifying here. Continue reading “New York School of Interior Design Gallery”