Van Cortlandt House Museum

Edification value  
Entertainment value  
Should you go?  
Time spent 138 minutes
Best thing I saw or learned All the front windows of the house have neat, scary terra cotta faces centered above them. This was apparently a Dutch thing to ward off bad spirits.  Reproductions are available at the gift shop!

At the northern terminus of the Number 1 subway line lies Van Cortlandt Park, home of one of the oldest surviving houses in New York City.  Within the park, \ surrounded by an ancient iron fence, is a very fancy residence built in 1748 as a summer home by (surprise!) the Van Cortlandt family.  The grandest home in the area, the Van Cortlandts owned and lived in the house for about 140 years, until in 1887 as the family fortunes ebbed, they sold the property to the city as a park.  The National Society of Colonial Dames in the State of New York took over the house and opened it as a museum in 1897.  It is, of course, a New York City landmark.

The Van Cortlandts in the early days were super-wealthy, and the house showed it. They were also super-Dutch, proud of their heritage as New Amsterdammers, and many of the details of the house (including a blue and orange color scheme for the china cabinets in the parlor) reflect that as well. Little that’s in the house today remains from the Van Cortlandts, but most of the publicly accessible rooms are filled with period furniture and knick-knacks that give a sense of what the lives of the earlier generations of the family might have been like.

When it opened as a museum, one room was redone to depict a modest city house, simulating how a much less successful Dutch family would have lived down in Manhattan.  They’ve kept that to this day and while I would’ve liked  the place to be as close as possible to how the family lived in it, the contrast is informative.

I joined a tour being given by a guy named Paul — when they have tours, they do them in a repeated loop (which is probably not that fun for Paul), so you can join in progress and then stick around for the beginning of the next one to pick up what you missed.  It’s a little odd, leaving the Van Cortlandt background until the end, but it was very efficient.

Fancy, newly refurbished parlor/dining room, decorated a little later than the rest of the house. Note the neat Dutch tiles around the fireplace.

As I’m conditioned to do, I asked Paul about Hamilton.  There is no recorded occurrence of the great man visiting.  Washington did, though, thrice, as did John Adams.  The VC house was the only large, fancy home for miles around.  So Ham might’ve visited, but there’s no proof.

The Van Cortlandts lived a very different kind of life than the Dyckmans or the Hamiltons.  And of course their home is a huge contrast to a city house like the Treadwells’.  I wish that more of it was open — there are slave quarters up the back stairs that the only accessible periodically for special small-group tours because of the fire code.  And we didn’t get to see the kitchen — as a food lover I’m highly interested in the evolution of kitchens and cooking. But with each one of these homes I visit, my sense for life in and around the city in the 1700s-to-early-1800s gets deeper and richer.  And I have yet more appreciation for life in the 2010s.

On a sunny Sunday spring afternoon, Van Cortlandt park was full of people strolling, and several cricket teams in full whites, which made for interesting if rather bewildering spectating.  I highly recommend a visit to the park.  If you do, definitely venture past the iron fence and see how the Van Cortlandts lived.

For Reference:

Address Inside Van Cortlandt Park at 246th Street, the Bronx
Website vchm.org
Cost  General Admission:  $5, Free/donation on Wednesdays
Other Relevant Links

Museum of the City of New York

Edification value  
Entertainment value  
Should you go?  
Time spent 203 minutes across 2 days.  I had a lot I wanted to see.
Best thing I saw or learned On display in “New York at its Core” show is the scrap of paper, literally the back of an envelope, on which Milton Glaser scribbled “I ♥︎NY.”  It’s such a quintessential statement it’s hard to imagine someone had to invent it, but Glaser did, in 1977.  That little idea changed the way generations of visitors think about this crazy place, and it elegantly expresses a sentiment I feel (almost) every day.

The Museum of the City of New York is an absolute treasure.  It occupies a really lovely Georgian/Federal-style building at the northern end of Museum Mile on Fifth Avenue.  The Museum started out its life in Gracie Mansion, but as its collection and ambitions grew, and its directors wanted it to be more central, a move seemed prudent. 

I confess I always assumed the building was legitimately old, though on reflection that doesn’t make sense.  Who in the 1800s would build a grand federal style institutional building that far north?  The building was started for the museum in 1929, and it was completed in 1932.

For all that it’s merely fake old, it’s got one of the best staircases of any museum in the city, a super-elegant curve leading up from the ground floor.  Nowadays complemented by a terrific light sculpture. 

It also claims to have the most exciting stairwell in the city, so it’s definitely got a New Yorker’s flair for self-promotion.

Off the top of my head, other great staircases, if you’re a scalaphile or like making a dramatic entrance, can be found at the Neue Gallerie, the Czech Center, the Frick Collection (but you can’t go on it), the Cooper Hewitt, the Rubin, and of course the grand stairs at the Met (both the outside and inside ones).  Come to list them, there are a lot of great staircases in New York City museums.  But City of New York’s is still near the top.

I also have to say a word or two about typography.  Most museums manage signage and wall descriptions okay, but not great. But it matters.  City of New York does its visuals stunningly well.  Legible, fun, brash…  It  makes navigating the museum a pleasure.

The main exhibit on currently is called “New York at its Core,” a look at the full sweep of the city’s history, from the earliest beginnings to the future.  It’s extremely well thought out, covering an immense amount of content economically and judiciously.  It also makes great use of interactive features.  Person-height vertical screens in the middle of the main room feature key historical characters on a rotating basis.  Interact with a character and you get more, potentially much more, about them and their contribution.  And it’s not just human characters, you can find out about players like beavers and oysters, too.  I’m often skeptical of the value of these kinds of things. Too often they are more sizzle than steak.  But this impressed me a lot.

I can’t argue with that…

Other exhibits look at the Gilded Age, protests in New York (no small topic),  photos of Muslim life in the city, and an in-depth look at the city’s zoning laws on the centennial of the original 1916 law.

Let me underscore that.  This museum can make a visually and intellectually interesting show out of the city’s zoning laws.

Graphic showing the number of pages in NYC’s Zoning Laws, 1916-present

Then there’s the Stettheimer dollhouse, with its legit modern art.  And the cafe (great, by the way, and at the top of the grand staircase). 

And the future bit of “New York at its Core” where via touchscreen you can design a building, streetscape or neighborhood and have it rated based on affordability and livability and environmentalism.  Neat, fun, and yet again way better implemented than is typical for that sort of technology.

And finally, as I do wherever I can, I will mention Alexander Hamilton, who is present, larger than life size, on the facade.

Should you go?  Absolutely.  City of New York epitomizes great museuming in my book.  It balances edification and entertainment with great finesse, and tells the story of this place such that both newcomers and lifelong New Yorkers can get something fresh and interesting out of it.

For Reference:

Address 1220 Fifth Avenue (at 103rd Street), Manhattan
Website mcny.org
Cost  General Admission:  $18

National Lighthouse Museum

 

Edification value
Entertainment value
Should you go?
Time spent 47 minutes
Best thing I saw or learned The largest Fresnel lens in the U.S. was installed at Makapu’u Point Lighthouse on Oahu in Hawai’i in 1909.  It was made in France and was featured at the 1893 World’s Columbian Exposition in Chicago.

The National Lighthouse Museum is a museum in its infancy.  Located a short stroll from the ferry terminal in St. George, Staten Island, the museum describes the history, technology, and design of lighthouses. Continue reading “National Lighthouse Museum”

Noble Maritime Collection

Edification value
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Should you go?
Time spent 57 minutes
Best thing I saw or learned John Noble made his art in a houseboat studio that he cobbled together, Frankenstein’s Monster-like, out of sundry boat bits and bobs over years.  The Collection acquired his studio, restored it beautifully, and moved the whole thing into a room in the building, where you can peek inside.

Sailors’ Snug Harbor

This museum suffers from a misleading name.  I walked into the Noble Maritime Collection expecting a dark basement full of dusty old nautical stuff, with a stuffy aristocratic bent. Instead, the collection occupies three light-filled, airy, beautifully restored floors of Building D at Sailors’ Snug Harbor.

It covers four main topics:

  • The life and art of John Noble, for whom the collection is named and who primarily made prints and drawings that captured the life of the harbor.
  • The founding and establishment of Snug Harbor in the early 19th century
  • The lives of sailors who retired to Snug Harbor
  • Robbins Reef Light, and Kate Walker, the remarkable woman who served as lighthousekeeper for over thirty years.

Continue reading “Noble Maritime Collection”

New York City Fire Museum

Edification value
Entertainment value
Should you go?
Time spent 62 minutes
Best thing I saw or learned This incredible 1872 punch bowl and goblets, 36 pieces and 800 ounces worth (that’s 50 pounds!  22.68kg!) of sterling silver.  A gift to Isaac Newton Marks, president of the New Orleans Fireman’s Charitable Association.  It’s hard to see in the picture but the stem of each goblet is a fire fighter.

CLOSED. As of June 2025, the Fire Museum is closed. It’s a scrappy museum, I hope it survives. The website says it’s temporary, but I imagine the old building that houses it needs a lot of upgrading.

New York City Fire MuseumThe Fire Museum is like the attic of the New York City Fire Department.  It’s where all the old interesting stuff is, and exploring it is very much like sifting through a collection of fire-related artifacts that someone at some point considered worth keeping. Continue reading “New York City Fire Museum”

Dyckman Farmhouse

Edification value
Entertainment value
Should you go?
Time spent 55 minutes
Best thing I saw or learned Jacob Dyckman was the first in his family to go to college, earning a degree from Columbia in 1806.  They have his diploma on display in the parlor.  Always nice to meet a fellow Columbia man.

The Dyckman Farmhouse is the least fancy historic home I’ve been to so far on this project.  Owned by the Dyckman family, who had a large farm at the northern tip of Manhattan, the house is reckoned to have been built around 1783, so it’s also the oldest historic house I’ve been to yet.

The Dyckmans owned it for over 100 years, though they didn’t always live there; for a while they rented it, and it served as an inn for a bit too. As the subway was rolling north and Inwood was urbanizing, descendants of the Dyckmans decided the house should be preserved as a museum.  It opened to the public in 1916.  

It’s totally different from the fancy, symmetrical, Federal style of the other historic houses I’ve seen so far.  Rather it is very basic, 2 stories plus a cellar, simple, small, cozy, and a little threadbare.  And like all old houses, seemingly quite crowded and uncomfortable back in the day.

It’s hard to imagine the original surroundings of the house. They built it deliberately close to what was then the Kingsbridge Road (now Broadway).  But mentally erasing the apartment buildings, cars, and buses and putting in rolling fields and outbuildings is hard.  There’s a tiny plot of green in back and on the sides of the house, with a reconstructed Hessian hut, but it barely begins to evoke the original agrarian setting.

This would be a great opportunity for some augmented reality, though I get the sense that the Dyckman Farmhouse budget probably wouldn’t allow for anything that high tech.

The view from the Dyckmans’ front porch today

I didn’t go on a tour, just walked around the house on my own, and I definitely missed the value of a good guide, who I think would’ve conveyed a better sense of the people who lived there than I got from the room descriptions alone.

 

 

 

 

 

 

 

The winter kitchen, in the cellar. In the summer they would’ve cooked in a kitchen in a separate building.

I asked about Hamilton, of course, and to my surprise the answer was they’re not aware of any connections with the great man.  However, George Washington likely visited the farm at some point. That said, it would be easy and instructive to combine a visit to Dyckman Farm with the Hamilton Grange, providing a contrast of styles between a working farm and a stately country retreat.

For Reference:

Address 4881 Broadway, Manhattan (at 204th St.)
Website dyckmanfarmhouse.org
Cost Free/Donation

 

Transit Museum at Grand Central Terminal

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Should you go?
Time spent 16 minutes
Best thing I saw or learned The Elevateds were built in the late 1890s and much of the signage was done in beautiful glass with floral decorations. I think of them as just big and hulking, but they must have been rather beautiful as well.

New York’s main Transit Museum is in Brooklyn, and it is very worth visiting.  When they restored Grand Central in the early 2000s, they opened a tiny branch (or “gallery annex”) of the museum there.  I’m tempted to say skip it — the exhibit space is very small, it’s more gift shop than museum, and there’s so much else to see at Grand Central.

And yet, I’ve seen some really good shows in that little space, so I wouldn’t dismiss the museum out of hand.

This year, the transit system is celebrating the construction of the new Second Avenue Subway.  In a brilliant bit of counter-programming, the current show at the Transit Museum’s GCT branch is about a bit of deconstructing, showing photos of the dismantling of the Third Avenue Elevated in 1955.

The pictures were all taken by Sid Kaplan, now a rather well known printer and photographer, but then a 17-year-old kid.  They are beautiful, great slices of life and times long gone. Even with the High Line and the remaining Elevated lines outside Manhattan, it’s still hard to imagine a time when Second, Third, Sixth, and Ninth Avenues were overshadowed by train tracks.

Sometimes when I ride the subway I imagine the future moment when a train rolls down those tracks for the last time.  It’ll probably be because of some calamity.  Flooding of the tunnels, giant monster attack, zombies.  Or maybe the subway will be obsolete someday due to self-driving cars or teleportation. So it resonated with me to see a sign announcing to riders, in a matter-of-fact way, the end of the Third Avenue El.

If your time at Grand Central is limited and you have to choose between seeing the Transit Museum there and, say, having a half dozen oysters at the Oyster Bar, or strolling through Grand Central Market, or just seeing the building itself, I  recommend you prioritize any of those other things.

But if you have a spare 15 minutes, the Transit Museum’s small, well conceived shows are worth the time.  And it is a fantastic gift shop, too.

For Reference:

Address Grand Central Terminal, main level, west side
Website nytransitmuseum.org
Cost Free
Other Relevant Links

 

Hall of Fame for Great Americans

Edification value
Entertainment value
Should you go?
Time spent 46 minutes
Best thing I saw or learned Honestly, the whole thing, as a total work of art, history, sociology, Americana, and miraculous survival.  The whole Hall of Fame is the best part of the Hall of Fame.

Halls of fame today are two-a-penny.  Everyone and everything from minor league lacrosse to rock n roll  has a hall of fame.  But it wasn’t always that way.  There had to be, at some point, a first one.

The Hall of Fame for Great Americans was the first hall of fame in history.  Designed by the ubiquitous Stanford White as part of his broader super-classical design for NYU’s campus in the then-bucolic Bronx at the turn of the 20th century, the Hall of Fame was a shining beacon on a hill, inspiring Americans everywhere by demonstrating greatness across all fields of endeavor.  And American greatness at that. Continue reading “Hall of Fame for Great Americans”

Gracie Mansion

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Entertainment value
Should you go?
Time spent 76 minutes
Best thing I saw or learned The name “Margaret” scratched in the glass of the library window.  Back in the 1960s, Margaret Lindsay, daughter of Mayor John Lindsay, decided to test whether her mom’s diamond ring was really a diamond.  Caroline Giuliani scratched her name in one of the windows, too.  Copycat. But I like that in an official house filled with history and art, they’ve allowed those little human touches to remain.

Visiting Gracie Mansion for this project made me realize I knew nothing about Gracie Mansion, beyond the name.

Gracie Mansion is both older and newer than I thought.  Older, in that I didn’t  realize that the original house was built in 1799, in the classic Federal style I’m coming to know well.  Newer in that it only became the official mayor’s residence of the city in 1942.  La Guardia was the first mayor to live there; prior to that it served several roles, including as the home of the Museum of the City of New York.

The Mayor’s front door
Just inside the front door of Gracie Mansion. The ballroom is through the doors at the top of the stairs. No photos from here on, sorry.

The Executive Director of the Gracie Mansion Conservancy, who was one of the leaders of our tour, described the situation as “Robert Moses wanted to be the mayor’s landlord.”  (He was head of the Parks Commission at the time.) And it became so. 

I also didn’t know exactly where Gracie Mansion is.  I always assumed it was in the East 50s or so.  More central.  Actually it’s in Carl Schurz Park, high in the East 80s, making it really far from everywhere in the city I tend to go.  And a beneficiary of the  Second Avenue subway.

Doing the math, this year is the 75th anniversary of the house becoming the mayor’s residence, and so they’ve decorated the public spaces with a great variety of art that hearkens back to the city in 1942, a time of war and jazz, fear and excitement.  Weegee photos, a Noguchi scuplture, a 1941 signed Yankees champion baseball, Joe DiMaggio prominently in front…

The house has evolved substantially from its original form, with additions true to the Federal style in the mid 1960s (which apparently was fairly scandalous in a time of architectural modernism, but I can’t imagine a modernist wing stuck on the old house).

As with all buildings over a certain vintage in the city, there is a Hamilton connection, although ironically it’s a recent one.  When they built the 1966 addition, they located and installed the mantelpiece from the Bayard Mansion in the new ballroom.  Thus Hamilton died post-duel in front of the ballroom’s  fireplace.  According to Curbed, there’s a chance that Gracie Mansion and Hamilton Grange were designed by the same architect, too.

Spectacular views from Carl Schurz Park

The tour was excellent, the art on display evocative and well chosen.  We got a little rushed, as there was an event going on with the Onassis Foundation that evening in honor of Greek Independence Day, and so we got chased out of the last few rooms.  Sadly the mayor did not crash our tour.  Still, I appreciated the overview of the history of the building and its evolution, and learned a bit I didn’t already know about LaGuardia and some of the other mayors who lived there.  All of the 14 or so people on my tour were New Yorkers, and I strongly encourage everyone who lives here to visit.

For Reference:

Address E 88th St & East End Ave, Manhattan
Website www.nyc.gov/site/gracie/index.page
Cost Free but tours are limited and advanced reservations required
Other Relevant Links

 

Merchant’s House Museum

Edification value
Entertainment value
Should you go?
Time spent 104 minutes
Best thing I saw or learned In mid-19th C. New York rowhouse-style mansions, bedrooms were semi-public space.  When you came calling, you’d first go upstairs to a bedroom where you’d leave your coat and hat and change from street shoes to indoor shoes.  Only then would you go down to the parlor.  Seems strange to me– like they should’ve had a changing room as part of the floorplan.  But even in these grand houses, space was at a premium.

The Merchant’s House Museum is a venerable 19th century home and maybe the only historic house in the city where so many of the furnishings on display are actually original to the house, owned by the home’s owners and maintained by the museum to this day.

The merchant in question is a guy named Seabury Treadwell, who bought the house for $18,000 in 1835.  His family lived there for 90 odd years, and by a series of fortuitous events, the house and all the stuff in it became a museum in 1936.  In 1965, when the Landmarks law was passed, the Merchant’s House Museum was among the very first places to be landmarked by the city. Continue reading “Merchant’s House Museum”