Derfner Judaica Museum & Hebrew Home Art Collection

Edification value  3/5
Entertainment value  3/5
Should you go?  3/5
Time spent 67 minutes
Best thing I saw or learned It’s probably a sin that Torah pointers remind me of nothing so much as highly ornate magic wands from the Potter-verse.  

Derfner Judaica Museum, Riverdale, the Bronx

But they do.

The Derfner Judaica Museum is one of two museums on my list located at institutions that I’d generally tend to avoid.  It resides within the Hebrew Home at Riverdale, a senior assisted living facility. (The other is the Living Museum, located in a mental health facility in Queens.) But it’s on my list, so off to the Bronx I went.

Let’s start with Riverdale.  There are many places in New York that don’t feel like “New York.”  Fresh Kills.  City Island.  Broad Channel.  Even among the non-New York places, though, Riverdale is special.  Surely it is as far from anyone’s mental image of “The Bronx” as it’s possible to get. Verdant and spacious, much of it feels like the suburbs, a clump of wealthy Westchester transplanted within city limits.

Riverdale, the Bronx
The mean streets of Riverdale

The Derfner Judaica Museum: An Overview

The Derfner Museum resides in a bright, 5,000-square-foot ground floor space in the Reingold Pavilion, a 2004 building on the Hebrew Home campus.   Windows connect it with the outside, with views encompassing a sculpture garden, the Hudson, and New Jersey’s palisades.  Windows also connect it with the lobby and other public spaces of the larger institution.  

Derfner Judaica Museum, Riverdale, BronxAn assortment of display cases feature Jewish ritual and cultural objects, organized largely by type, with helpful explanations for those not conversant with them.  I expect most Hebrew Home residents would have more than passing familiarity with Jewish rites and tradition. I appreciated that the curators include rare random visitors like me as part of the intended audience.

Many of the pieces on display come from the collection of Ralph and Leuba Baum.  Ralph moved to the U.S. in 1936, married Leuba in 1939, and built a successful business as well as a hefty collection of Jewish art and ritual objects.  In 1982, the Baums donated 800 pieces to the Hebrew Home to start this museum. If you’re curious why it’s not the Baum Museum, in 2008, Helen and Howard Derfner underwrote the creation of the current space.

The clear focal point of the exhibit is a single, badly damaged, Torah scroll.  It comes from a synagogue in a suburb of Hamburg, Ralph’s hometown.  The synagogue burned in 1938, during Kristallnacht, and this scroll is the only one of its 13 Torahs to survive.  In its silent witnessing way it’s as moving as anything in the Museum of Jewish Heritage, and it was the object that inspired the Baums to donate their collection.

Derfner Judaica Museum, Riverdale, the Bronx

Other Things to See

When I visited the museum had two additional exhibits on display.  One was a set of 100 charmingly sketchy watercolors of residents and staff by Brenda Zlamany. The other shows Chuck Fishman’s striking black and white photographs depicting Polish Jewish life, taken from 1975 until the present.

Derfner Judaica Museum, Riverdale, Bronx

I also perused the art in the Hebrew Home’s public spaces a bit.  The Hebrew Home displays prints, paintings, and sculpture to help make the place seem less, well, institutional.

Derfner Judaica Museum and Hebrew Home
Andy Warhol, “10 Portraits of Jews”

The plethora of options in New York — the Jewish Museum, the Bernard Museum, the Center for Jewish History — made me wonder about the Baums’ decision to gift their things to a retirement community. 

However, the Hebrew Home started collecting art long before it opened the Judaica museum. The institution follows a philosophy of “if you can’t go to the art, the art should go to you.”  In that context, the Baums’ decision makes sense — the place was already partly a museum, and had a resident audience likely to enjoy and appreciate their collection.

I mentioned the sculpture garden previously. That too enriches the environment for residents and visitors alike.

Hebrew Home Sculpture Garden, Riverdale, Bronx
Bull Sculpture on the Hudson

A Trip to the Retirement Castle

Derfner Judaica Museum, Riverdale, Bronx

Sad to say, most of my knowledge of senior assisted living comes from TV: the Springfield Retirement Castle, where Abe Simpson lives.  So my view is jaundiced, biased, and not very positive.  Having the museum and the art help residents immensely, I think.

I’ve written about “gateway museums” — places like the Bronx Museum of the Arts that serve people who may not have much museum experience.  I reckon the Derfner is the opposite:  for many Hebrew Home residents, it’s the last museum of their lives.

I spent some time talking with Emily, the assistant curator at the Derfner Judaica Museum.  She spoke thoughtfully about the role that art plays in the lives of residents.  She observed that sometimes the most impactful items in the collection aren’t its one-of-a-kind treasures. Rather it’s something like a pair of mass-produced Shabbat candlesticks that prompt a visitor to remember that their parents or grandparents owned the same pair.

If you have to get old, and you have to live in assisted living, it’s a blessing if you can live in a place full of art.

Should You Visit the Derfner Judaica Museum?

Derfner Judaica Museum and Hebrew Home, Riverdale, BronxIf you’re looking for Judaica, there are better and more convenient institutions to visit.  However, the collection gains unique significance by virtue of its location.  Jewish or not, if you’re planning to grow old someday you might find it worthwhile visiting the place, the art, and the residents.

For Reference:

Address Reingold Pavilion, Hebrew Home at Riverdale, 5901 Palisade Avenue, Riverdale, the Bronx
Website riverspringhealth.org
Cost  General Admission:  Free
Other Relevant Links

 

DareDevil Museum of Tattoo History

Edification value  3/5
Entertainment value  3/5
Should you go?  3/5
Time spent 28 minutes
Best thing I saw or learned The story of Millie Hull from the Bowery. Family Circle magazine profiled her in December 1936 as New York’s “only lady tattoo artist.”

She explained her choice of profession by saying she found tattooing “more interesting than embroidery.”

At this point, it is rare that a museum sneaks up on me. I believe (well, I hope) my database is complete, though of course museums are always opening–and sometimes closing–in this town. However the other day as I was wandering along the blurry borders between the Lower East Side and Chinatown on the way to the Museum at Eldridge Street, I stumbled on the DareDevil Tattoo Parlor — AND Tattoo Museum.

DareDevil Tattoo Museum

Continue reading “DareDevil Museum of Tattoo History”

Museum at Eldridge Street

Edification value  4/5
Entertainment value  3/5
Should you go?  4/5
Time spent 50 minutes
Best thing I saw or learned Kiki Smith’s contemporary stained glass replacement for the museum’s original enormous rose window is extraordinarily beautiful. More about it in the review below.

Museum at Eldridge Street

Around the turn of the twentieth century, the various Jewish communities of the Lower East Side were coming into their own. Immigrants were doing what they do in the Land of Opportunity, pulling themselves up from abject poverty, starting businesses, and finding degrees of prosperity. A group of successful Orthodox Jews decided to build a house of worship that reflected their heritage as well as their new lives in the United States. That was the genesis of the Eldridge Street Synagogue, which opened in 1887.

Museum at Eldridge Street

Decline, and Rebirth

Fast forward to the early-mid 1900s.  As happens so often in New York, families moved to new neighborhoods, up and out of the Lower East Side. Eventually, the congregation dwindled and those who remained couldn’t maintain a huge, fancy house of prayer. So they shut it down, meeting in the basement. (A small congregation still meets here to this day). Sealed up, the space declined, and not genteelly. Glass broke, brass tarnished, and pigeons nested and pooped all over the place. Continue reading “Museum at Eldridge Street”

Americas Society

Edification value  3/5
Entertainment value  2/5
Should you go?  3/5
Time spent 25 minutes
Best thing I saw or learned
Leonilson at Americas Society
Leonilson, “Leo não consegue mudar o mundo,” [Leo Can’t Change the World”] paint on unstretched canvas, 1989
“Leo Can’t Change the World” stood out to me. The color, the way the canvas hangs like a flag on the wall, and of course the heart in the middle of it, flanked by the words “solitary” and “nonconformist.”

Americas SocietyThe Americas Society occupies a handsome neocolonial brick mansion on Park Avenue, designed in 1909 by McKim, Mead, & White.  It was a private residence through the 1940s, then the home of the Soviet Mission to the UN from 1946 until 1965. Which is an interesting claim to fame; I wonder if they still find CIA bugs in the walls from time to time.

You don’t see much of the house when you visit the museum, which is unfortunate as it sounds pretty spectacular. The America Society’s small gallery space fills three windowless rooms on the ground floor, currently accented in rich shades of blue and green, and preserving some classy travertine framing on the doorways. Continue reading “Americas Society”

New York Public Library (Stephen A. Schwarzman Building)

Edification value  
Entertainment value  
Should you go?  4/5
Time spent 79 minutes
Best thing I saw or learned Winnie the Pooh, New York Public LibraryIn 1921,  Christopher Robin Milne  received a stuffed bear (of very little brain) for his first birthday.  Other stuffed animals joined his menagerie, inspiring his father to write stories about them. Amid the sum of human knowledge, the Library keeps Christopher Robin’s friends safe for generations of kids to come.

The Croton Distributing Reservoir stands out as a stunning architectural and engineering accomplishment, even on an island with no shortage of them.  Two city blocks long, it stretches from 40th to 42nd Streets, and halfway from Fifth to Sixth Avenue.  Built in an eccentric, Egyptian Revival style, it features walls fifty feet tall, and the zillions of gallons it holds help ensure a somewhat safe drinking water supply for Manhattan.  The promenade along the top provides unmatched vistas of the Crystal Palace, nearby Longacre Square, and indeed, stretch all the way to Long Island Sound and New Jersey, making it a huge attraction for New Yorkers and visitors alike.

Wait, what?  They tore it down?  In 1900?  I’ll be a monkey’s uncle. 

New York Public Library, New YorkWhenever I visit the New York Public Library’s spectacular main branch, I always stop and imagine the imposing ramparts of the old distributing reservoir, which stood on its location from 1842 until 1900.  There’s still a reservoir on the site, it’s just that now it stores and safeguards the sum total of knowledge of humankind. Continue reading “New York Public Library (Stephen A. Schwarzman Building)”

Asia Society Museum

Edification value  2/5
Entertainment value  2/5
Should you go?  2/5
Time spent 68 minutes
Best thing I saw or learned I loved a small room entirely filled with Anila Quayyum Agha’s “Crossing Boundaries,” a cubical, laser-cut steel sculpture from 2015 that cast amazing shadows on the walls, floor and ceiling. Immersive, serene, and beautiful, and none of my photos do it justice. (See link to her site at the end of this review.)

Asia Society, New YorkIn terms of attempting to cover an enormous mandate in an undersized area, the Asia Society Museum wins the prize for New York City museum with the most chutzpah.

In two modest floors of gallery space, it aims to present the world’s largest landmass, home to a population of billions and myriads of diverse cultures.  Call it “Asia” or “the Orient,” either way the label lumps together people who  have  nothing in common aside from location in a place that Europeans for centuries defined as “that exotic place that’s not here.”

The Asia Society Museum doesn’t succeed.  Moreover, it can’t succeed.  Well, it can.  The Met will give you a great overview of the arts and cultures of China, Japan, Korea, India, the Himalayan cultures of Tibet and Nepal, the Islamic world, Southeast Asia, and Oceania. But you need an institution the size and scope of The Met to do that under one roof. Continue reading “Asia Society Museum”

Museum of Jewish Heritage: A Living Memorial to the Holocaust

Edification value  
Entertainment value  2/5
Should you go?  4/5
Time spent 187 minutes
Best thing I saw or learned  The Museum has a lovely, quiet, outdoor space called “Garden of Stones,” created by nature artist Andy Goldsworthy. 18 dwarf oak trees growing out of holes in hollowed out boulders, with New York Harbor as the backdrop. It was a deeply welcome spot to spend a few minutes reflecting.

Andy Goldsworthy, Garden of Stones, Museum of Jewish Heritage, New York
Goldsworthy’s Stones and New York Harbor

 

“It can’t happen here.”

It’s the refrain of the Museum of Jewish Heritage.

You see it in quotes on the walls and on screens, time and again, from both Jewish and non-Jewish Germans. As the Nazis were coming to power, as rights were being stripped away, as things got worse and worse. 

Of course, in retrospect no one really even knew what “it” was, until it was too late.  They just clung to the certainty, then the belief, then the hope, that it wouldn’t happen.  Because it couldn’t.

Museum of Jewish Heritage, New York

The Museum of Jewish Heritage, aka New York’s Holocaust Museum, occupies a lovely plot of land in Battery Park City in Lower Manhattan, right on the Hudson.  Shaped like a ziggurat with a low, rectangular addition, the museum opened in 1997, designed by Kevin Roche John Dinkeloo and Associates.

Surprisingly shiny escalator

Its architecture is incredibly carefully thought out.  The Core Exhibit spans three hexagonal floors.  You move around the perimeter of each floor, then step on a surprisingly shiny escalator to go up to the next one, moving forward in time as you ascend.

The ground floor serves as the prologue, covering Jewish life in Europe in the early 20th century.  It touches on topics like holidays, weddings, synagogues, education, and trades, with carefully chosen artifacts showing illustrating those themes.  It wraps with four key political strands weaving through Judaism then:  socialism, Zionism, liberalism, and orthodoxy.

Then its on to the escalator to Hitler.  Worst. Escalator. Ever.  The second floor proceeds chronologically, event by event, down a counter-clockwise path toward unspeakable suffering and horror.  Small galleries look at (among other things):

  • The rise of Hitler and Nazi populism.
  • The story of the St. Louis, an ocean liner full of 900 Jewish refugees that got all the way to Cuba in 1939 only to be turned back to Europe.
  • Non-Jewish people, like Raoul Wallenberg, Oskar Schindler, and Aristides de Sousa Mendes, who helped rescue Jews.
  • How the Nazis covered up the Holocaust as they were perpetrating it.

There’s actually less here than I was expecting.  Maybe because there’s too much.  You can get overwhelmed by scale, lose the trees for the forest.  This place is exquisitely careful to make sure you are always aware of the individuals.  Every thing, item, photograph is documented to a specific person if they can, with a picture of the individual if they possibly can.  Even when it introduces the six main death camps the Nazis used, each comes with a photograph of one person, one actual human being, who was murdered there, who stands for all the rest.

The one part that pushes on scale is a small area with rough wooden walls and flat columns holding photographs of about 2,000 people.  Each column has a small booklet, so you can read the names and stories of each of those 2,000 people.  It’s not a very big space.  The columns go up pretty high.  All of them were from France, and all died at Auschwitz.

Museum of Jewish Heritage, New York
They had names…

The museum doesn’t bother to observe that to commemorate everyone, all the Jews who were murdered, you’d need 3,000 such spaces. But I thought about that.  It does remind you, piercingly, that “They had homes and lives.  They had families and friends. They had names.”

The chronology continues, inexorably, through the Nazis’ last-ditch efforts, the liberation of the death camps, and efforts to rescue people and send them home.  And somehow live with what happened.  And remember.

You ascend once more, another shiny escalator to the post-Holocaust world. Here the story is very much focused on the rise of Israel and the United States as the centers of postwar Jewish culture, and what that culture consists of today, in terms of religious life, the arts, society.

And then, the architects of this place accomplish one of the great feats of New York museum design.  I’m not going to give it away. But I got through the core exhibit, walked through the exit doors, and literally had my breath taken away.

Museum of Jewish Heritage, New York
Rescued kids

In addition to the Core Exhibit, the Museum of Jewish Heritage currently has a small show called “My Name Is…” of photos of rescued kids who got sent to a variety of centers, with capsule summaries of their stories. This I think was a slight misstep — where the core exhibit works very carefully to go deep and focused, this was a little too broad, with whole lives boiled down to a couple of paragraphs.  I think fewer photos with longer stories, and even current pictures of any of the kids who are still alive today, would be better.

Eichmann Exhibit, Museum of Jewish Heritage, New York
The Eichmann Capture Team…

And then I saw “Operation Finale,”  a newly opened special exhibition on how the Mossad tracked down and kidnapped Adolph Eichmann, spiriting him from Argentina back to Israel for trial and eventual execution in the 1960s. 

This was shockingly entertaining in a place I don’t think of as endeavoring to entertain.  A real-life spy story.  I’m not 100% sanguine about a country abducting someone in another country, even if that someone was a horrible someone.  But better that than simply assassinating him.  The recreation of his trial, using several different video projections running in sync, combined with the bulletproof booth Eichmann sat in, worked particularly well.

Eichmann Exhibit, Museum of Jewish Heritage, New York
Eichmann Trial in Projection

In terms of amenities, the Museum of Jewish Heritage has a cafe, although, honestly, what it should have is a shot bar or something.  I know I really wanted a drink coming out of the exhibit.  It also has the requisite gift shop–if you find yourself needing a mezuzah, their selection is top notch. The museum also boasts a nice, modern auditorium.  I’d attended conferences in that space long before I actually went to see the museum itself.

A Little Museum-ology

From a museological perspective, I have a few observations.

Old Screen

The Museum of Jewish Heritage just turned 20 years old, and parts of it need a refit.  Some of their video screens have burn-in problems, and others are probably nearing the end of their life expectancy.  Some of the photos on display, too, looked like they may not be aging well.  I know they’re meant to be old, but still, I think they may require swapping out for fresher prints.

The section on non-Jews who helped — whom Yad Vashem in Isreal recognizes as the “Righteous Among The Nations” needs an update to reflect inductees since this museum opened. That’s a sign that probably other things could use an update, too, since the world has 20 years more Holocaust scholarship on which to draw.

There’s nothing interactive in the Core Exhibit at all.  That is certainly for the best.  Just brainstorming possibilities in my own mind borderline offends me.  So I hope it stays that way.

Video, on the other hand, is critical.  There are video screens throughout, and you are never far from someone talking, telling what they saw, what they experienced, relevant to the section or the theme.  It’s vital to the museum’s mission of never letting visitors lose sight of real, individual, people.

Never Say Never

I rechecked my time-spent calculations for this visit several times. I still can’t understand how I spent three hours at the Museum of Jewish Heritage. It didn’t feel like it.  However, at the same time it was exhausting.

I was talking with a friend about this place just a few days ago and she said “I really, really don’t ever want to go there.  Does that make me a bad Jew?”  When New York is blessed with museums of so many other, happier things, like maritime industry and Louis Armstrong and lighthouses, mathematics and art and more art, I can’t blame anyone for preferring any other topic to the Holocaust.

But it’s important. It is museum as vaccination.  Because it’s all too easy for all of us, everywhere, at all times, to fall into the trap of “It can’t happen here.”  It’s good, no, vital, to be reminded that absent vigilance and speaking and acting our consciences, yes, it can.

If you haven’t been to a Holocaust memorial or museum in the past 3 years, you are due for a booster.  Go.

Garden of Stones, Museum of Jewish Heritage, New York
Garden of Stones

For Reference:

Address 36 Battery Place, Manhattan
Website mjhnyc.org
Cost  General Admission:  $12, or pay-what-you-will on Wednesday and Thursday evenings

Bard Graduate Center Gallery

Edification value  3/5
Entertainment value  3/5
Should you go?  3/5
Time spent 63 minutes
Best thing I saw or learned The museum business has always been a tough one.  The 1853 Crystal Palace Exposition lost a ton of money.  They tried bringing in P. T. Barnum to make it more popular. Even the great showman gave up, though, grumbling, “The dead could not be raised.”

Bard Graduate Center Gallery, ManhattanLocated in a pretty but unassuming townhouse on West 86th Street, the Bard Graduate Center Gallery offers a couple of floors converted into spaces for, it seems, whatever Bard Graduate Center folks happen to be working on.  Bard exhibits come in three flavors:  focus projects, traveling exhibits, and artists-in-residence.

The two shows on the day I went were both “focus projects.” Bard Graduate Center defines these as “small-scale academically rigorous exhibitions and publications that are developed and executed by Bard Graduate Center faculty and postdoctoral fellows in collaboration with students in our MA and PhD programs.” (Bard website; longer description here.)

Design by the Book

“Design by the Book” discusses the Sanli tu, a Chinese text from 961 meant to help reconstruct important ritual objects from even longer ago. Confucian China was full of rites and rituals, requiring very specific objects to complete.  However, as dynasties waxed and waned, the nature of those objects was sometimes lost.  In the mid-900s, a scholar named Nie Chongyi studied ancient writings about these objects, and set out to formally describe and picture them.

It was a good idea, and for a while an influential book.  However, what we’d think of as archaeology eventually disproved many of Nie’s ideas when people  dug up ruins and found actual examples of the ritual items in question.

Bard Graduate Center Gallery, Manhattan

The show introduced these ideas via a quick run-down of Confucianism and a look at a copy of the Sanli tu itself. It then showed  examples of the kinds of objects it described, like bronze bells, cups, and ceremonial robes.  It also included an interactive element inviting visitors to sketch three objects based on their written descriptions.  It shows how your artwork compares with Nie’s conception and previous visitors’ attempts.  Anyone up for Confucian Pictionary?

New York Crystal Palace 1853

Crystal Palace Show, Bard Graduate Center, ManhattanThe Crystal Palace show tells the story of the first World’s Fair in the United States, and the tremendous glass and steel building constructed to house it — an epitome of high technology of the time.  It’s a bit of a jumble, trying to pack a lot of things into a space too small for it.  Somewhat like the Crystal Palace Exposition itself, I suppose. The show defines world’s fairs and outlines the 19th century vogue for them. It describes the Crystal Palace itself and the myriads of exhibits and displays of art, science, and technology that existed within.  Guns!  Hats!  Sculpture! Furniture! Vases!  Not much of it to my taste, but they ate it up in 19th century New York.

Crystal Palace, Bard Graduate CenterFor a small show, it surprisingly offered not one but three audio tour options: one featuring recorded quotations from Walt Whitman, the other two from imagined perspectives of fictional fairgoers. I’m not so sanguine about the fictional  accounts.  Plenty of actual people, famous and not famous, visited the Crystal Palace and wrote about their experiences.  For instance, the show includes a wall-text quote from a teenage Sam Clemens, who called it “a perfect fairy palace, beautiful beyond description.”  It feels like the group that put this exhibit together couldn’t find the contemporary perspectives they wanted, so decided to just make some up.

Better, the exhibit also featured a touchscreen panorama of the fair, enabling a visitor to pan around and zoom in on the cavalcade of wonders.

Crystal Palace Shard, Bard Graduate Center Gallery
Crystal Palace Shard

It even had a shard of the Crystal Palace itself. Following the fire that destroyed the amazing building in 1858, bits of glass served as souvenirs.

Overall, I liked this show.  Given my obsession with museums, museum shows about museums very much appeal to me (see my review of the Bernard Museum‘s meta-exhibit).  But they did have more story they wanted to tell than Bard Graduate Center had space to contain it.

Other Things to Know

Bard’s spaces are indeed pretty tiny.  Each show occupied the footprint of the front room and hallway of a floor of the townhouse.  It maximizes wall space by blocking windows (at the cost of creating gloomy rooms).

Small installations of contemporary art accompanied both shows in the “back room” space:  a video piece about a hunt for a mysterious book in New York for the Crystal Palace, and a performance+light installation for the Design by the Book show.  In theory I think having an art piece that riffs on the ideas in the adjoining exhibit can be illuminating.  However, given Bard’s lack of space, I would’ve preferred to see more depth from the exhibits themselves.

The Bottom Line

I like the eclectic programming of the Bard Graduate Center Gallery. Lack of a topical mission or a focus can be a negative. But they seem focused on telling unexpected, interesting stories.  That stretch of the Upper West Side is an art museum desert, so I like knowing it is there.  If you’re going to Zabar’s, or happen to be across Central Park on Museum Mile, consider making a quick detour.

Bard Graduate Center Gallery, Lobby
Bard Graduate Center Gallery Lobby

For Reference:

Address 18 West 86th Street, Manhattan
Website bgc.bard.edu
Cost  General Admission:  $7 (suggested; free on Wednesday)
Other Relevant Links

 

Center for Jewish History

Edification value  4/5
Entertainment value  3/5
Should you go?  4/5
Time spent 95 minutes
Best thing I saw or learned John Rainolds, president of Corpus Christi College, Oxford, suggested the idea of an English Bible to King James.  The King James Bible, published in 1611, is maybe the most important book in English.

Yeshiva’s Oxford show has one of only four surviving notebooks from the committee that fretted and deliberated over the translation, responsible for its majestic, enduring poetry.  Who says nothing good ever comes from committees?

King James Bible Notes, Yeshiva University Museum, New York
William Fulman copy of John Bois’s notes on the King James Bible, 17th C.

Center for Jewish History, New York

The Center for Jewish History comprises five institutions under a single, Greek Revival, roof:

  • American Jewish Historical Society
  • American Sephardi Federation
  • Leo Baeck Institute
  • Yeshiva University Museum
  • YIVO Institute for Jewish Research

It’s like a food hall for Jewish culture and history.  Kosher food hall, anyway.

Accordingly, at any given time the exhibits going on there will be diverse. And there are a lot of them, spread across two floors of assorted spaces of differing sizes, shapes, and capacities, all arranged around a central atrium. During my visit I saw:

  • A tremendous show of rare books on loan from Oxford’s Corpus Christi College.
  • The work of George Salter, midcentury book designer extraordinaire
  • Impressions of Jerusalem in pictures, video, sculpture, and words
  • A brief overview of the German origins of Zionism in the early twentieth century.
  • The story of a Portuguese diplomat who defied his superiors and eventually lost his job in his effort to give exit visas to as many people fleeing the Nazis as possible.
  • A group show of art by current students at Abby Belkin Stern College.

Dusty Old Books

Oxford Show, Yeshiva University MusuemThe rare book show, billed as “Five Hundred Years of Treasures from Oxford,” blew me away.  According to the wall text, many of the books on view have never left Corpus Christi College before. I can’t imagine the relationship that led to this exhibit happening.  The title misleads, though: although it’s Corpus Christi’s 500th anniversary, several of the works on display are way older than that. Indeed, at least two date to the tenth century.  I mean seriously.  Here there be books over a thousand years old.

Oxford Rare Books Show, Center for Jewish History
St. Basil the Great, “Commentary on the Psalms & Other Works,” 10th Century(!), Greek manuscript

Jewish-Adjacent Programming

I found it particularly interesting that although the show had a Hebrew section, it wasn’t really, well, super-Jewish.  I mean, who would expect Corpus Christi to come to Yeshiva. However, in the college’s early days, its founder emphasized the “new learning” of reading holy books in their original languages –so Hebrew and Greek alongside the more usual Latin. 

But it’s not purely Biblical, either. The show also features a copy of the Iliad, and numerous significant scientific works.  In terms of Hebrew, it featured some beautiful examples of dual Hebrew/Latin manuscripts. It also had a book of Jewish daily prayers, written in Arabic but using the Hebrew alphabet, that somehow made its way to England before the 1200s.

On the science front, they had a copy of Vesalius’s Anatomy from 1555.  It’s amazingly important, the first medical book based on contemporary dissections, not just received wisdom from the Classical world.  And even better were the tons of annotations from some harried medical student.  I love margin notes.  Even if I can’t read them, I can empathize with this long-gone person striving to learn and absorb all this new, revolutionary knowledge. Try doing that on an eReader.

Andreas Vesalius, “De Humani Corporis Fabrica,” printed in Basel, 1555.

While a small show, it went incredibly deep. If it was at the Morgan, I reckon there would be a line to see it.  It was hard to tear myself away to check out the rest of the Center for Jewish History exhibits.  But tear I did, eventually.Rare books from oxford, Yeshiva University Museum

More Books!

George Salter, Center for Jewish History, New York
Atlas Shrugged, Salter Designed

The George Salter show was fascinating, too.  Once you see some examples of his work, you realize that he did tons of midcentury classics.  And while  you can’t judge a book by its cover, his distinctive way with typography and design must’ve helped sell at least some copies of the books he worked on.

The show speaks to Salter’s philosophy of design, from pure typographical covers to ones, like Atlas Shrugged, that capture some resonant idea of the book in simplified, graphical form.

Rare Book Library, Center for Jewish History

Other Things at the Center for Jewish History

The Jerusalem show provided glimpses and views of the city by a whole variety of artists and writers.  It included a tremendous, handmade model of old Jerusalem. 

Jerusalem, Center for Jewish History
Moses Kernoosh, “Model of Jerusalem,” ca 1880. Wood, cardboard, tin, wire, paint, rice paper

As with the Oxford show, I found it interesting (and welcome) that the perspectives on the city weren’t purely Jewish ones.  Mark Twain gets a quote, as does grumpy Herman Melville, who had much to say on the quantity and quality of the stones of Judea.  But my favorite quote came from a poem by Yehuda Amichai, “Jerusalem is a Port City,” where he builds an amazing metaphor.  I’ll just quote the first and last lines here:

Jerusalem is a port city on the shore of the ages of ages./Jerusalem is the Venice of God.

The student art show was a student art show.  A couple of clever things, a couple not-so-clever.  And “Portugal the Last Hope: Sousa-Mendes’ Visas for Freedom” and “Zionismus: The German Roots of Zionism” shows both had interesting things to teach, though both went heavy on wall texts and quotes, lighter on art and artifacts.Zionism in Germany at the Center for Jewish History

The Bottom Line

Center for Jewish History, New YorkWith its diverse institutions all pursuing their different missions, the exhibits the Center for Jewish History cumulatively deliver a comprehensive and diverse look at Jewish concerns and interests.  The Jewish Museum, by contrast, has a more narrowly artistic focus.  Which absolutely isn’t a bad thing, and puts it on equal footing with many of the other specific-culture-focused institutions in the city.  But I got  more out of visiting the Center for Jewish History. 

If the Yeshiva Museum does even one show every couple of years as deep as the Oxford Library show, I really need to make it part of my regular museum rotation.

Whatever your interests, it’s likely that something on view at the Center for Jewish History will align. Woe unto you if your interests are diverse, you’ll likely spend more time there than you intended.  I mean, woe in a good way, of course.  Seeing and learning more than you expected must count as among the best of all possible woes.

For Reference:

Address 15 West 16th Street, Manhattan
Website
Cost  Yeshiva University Museum General Admission:  $8.  Other exhibition spaces free.
Other Relevant Links

 

Tibet House Gallery

Edification value  
Entertainment value  2/5
Should you go?  2/5
Time spent 31 minutes
Best thing I saw or learned Poncar’s best photos capture amazing contrasts, both of light and shadow and of the greens in the valleys and the stark surrounding cliffs.

Jaroslav Poncar at Tibet House
Jaroslav Poncar, “Teri Samdrub Chodhing Gompa,” 2015

Tibet House is the Tibetan Cultural Center, founded in 1987 at the behest of His Holiness the Dalai Lama.  Thus it celebrates its 30th birthday this year. 

H.H. the Dalai Lama, Tibet House
Hello, Dalai

Tibet House hosts an array of classes and events, meditation training, retreats in the Catskills, that sort of thing.  It’s kind of a starry place: in addition to His Holiness, Professor Robert Thurman, who teaches at Columbia, is the president of their board, and Philip Glass is vice president. It name-drops a whole bunch of other notables in its acknowledgements of “in-kind” donations:  David Bowie, Patti Smith, Christo, David Byrne, Emmylou Harris… Continue reading “Tibet House Gallery”